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  1. Ricardo III ( The Life and Death of King Richard III, La vida y muerte del rey Ricardo III, título original completo en inglés) es una tragedia de William Shakespeare, la última obra de su tetralogía sobre la historia de Inglaterra. Después de Hamlet, es la pieza más larga del dramaturgo.

  2. 31 de jul. de 2015 · Last updated: Fri, Jul 31, 2015. Synopsis: As Richard III opens, Richard is Duke of Gloucester and his brother, Edward IV, is king. Richard is eager to clear his way to the crown. He manipulates Edward into imprisoning their brother, Clarence, and then has Clarence murdered in the Tower.

  3. Resumen de Ricardo III. William Shakespeare. Biografía. Cronología. Su obra. Fotos. Vídeos. Ricardo III. Este drama histórico en cinco actos, en prosa y en verso fue escrito por Shakespeare hacia 1593 e impreso en in-cuarto en 1597, 1598, 1602, 1605, 1612, 1622, y en in-folio en 1623.

  4. 3 de mar. de 2024 · Ricardo III, el rey al que Shakespeare convirtió en el peor de los villanos. En su obra histórica 'Ricardo III', el escritor inglés describió a este rey como un hombre malvado, ambicioso y deforme, creando una imagen tergiversada del personaje que se popularizó y quedó impregnada en el imaginario colectivo hasta día de hoy.

  5. George Frederick Cooke as Richard III, by Thomas Sully. Richard III is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition.

  6. Richard III by William Shakespeare, likely written around 1592-1594, is a historical tragedy that dramatizes the rise and fall of Richard III, the infamous Duke of Gloucester. Set in England during the English civil war known as the Wars of the Roses, the play follows Richard’s ruthless and Machiavellian quest for power, marked by political ...

  7. 21 de mar. de 2024 · Richard III, chronicle play in five acts by William Shakespeare, written about 1592–94 and published in 1597 in a quarto edition seemingly reconstructed from memory by the acting company when a copy of the play was missing. The text in the First Folio of 1623 is substantially better, having been.