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  1. Skarstedt Fine Art, New York, “Richard Prince: Paintings 1988-92” Anton Kern Gallery, New York, “Psychoarchitecture: Richard Prince, Martin Kippenberger”

  2. Richard Prince s’approprie et décontextualise les images tirées des mass médias, de la publicité et de l’entertainment des années 1970. En manipulant ces codes de la consommation de masse, d’abord dans un travail pictural et de collage puis à travers la photographie, il explore la définition de l’identité américaine et en livre une chronique satirique.

  3. The Metropolitan Museum of Art. "Photographs: A Decade of Collecting," June 5–September 4, 2001. The Metropolitan Museum of Art. "Indexing the World," May 25–September 19, 2004. The Metropolitan Museum of Art. "The Pictures Generation, 1974-1984," April 21–August 2, 2009.

  4. Like Warhol in the 1960s, Prince is perfectly attuned to the foibles and vanities of his time, especially the dominant role that celebrity and spectacle plays in every aspect of our culture. He has cultivated the shadowy, anti-heroic persona of his spiritual forefather, that of the elusive trickster who purloins and recycles seductive or explosive imagery (even occasionally working under ...

  5. 8 de ene. de 2022 · High Times Limited Edition by Richard Prince, August 2019, via New York Times Richard Prince’s rise in the art world coincided with the emergence of contemporary art. Contemporary art refers to the art of the present day, with a focus on themes ranging from technology, consumerism, global influence, and more.

  6. Richard Prince, né le 6 août 1949 dans la zone américaine du canal de Panama, est un artiste peintre et un photographe plasticien américain. Il vit et travaille dans la campagne à proximité de New York. Deux de ses photographies, Spiritual America (1981) et Untitled (Cowboy (2000) font partie des 10 photographies les plus chères du monde.

  7. Richard Prince: Cowboy. On the occasion of the publication of Richard Prince: Cowboy, a major monograph on the artist’s preoccupation with the mythic American West, Lucy Sante tracks the archetype through mass media, advertising, and the art of Richard Prince to illuminate the cowboy’s enduring appeal.