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Hace 4 días · Sandro Botticelli, Adoration of the Magi (1475), detail. Via Wikimedia Commons. Similarly making eye contact with us is the artist himself, standing at far right in a golden-brown cloak.
Hace 3 días · Artists have been inserting self-portraits into their paintings since at least 1433, with examples including Jan van Eyck, Sandro Botticelli, and Diego Velázquez. This tradition spans centuries and styles, providing a glimpse into how renowned artists saw themselves and chose to be remembered.
Hace 5 días · Florentine Renaissance art. Florentine Renaissance. Sandro Botticelli, Primavera (c. 1478) Years active. Early 15th to late 16th century. Location. Republic of Florence. Major figures. Painting: Masaccio, Leonardo da Vinci, Michelangelo, Raphael.
Hace 1 día · Filippo Lippi (1457-1504), called Filippino Lippi to distinguish him from his father, took up the linear style of his master Sandro Botticelli, but used it to paint works in which the unreal character and the fantastic element of the scene stood out with elongated figures and scenes full of imaginative details.
Hace 1 día · National Treasures: Botticelli in Cambridge brings together a selection of renaissance works from the museum’s own collection alongside the Italian artist’s iconic painting of lovers — Venus, the goddess of love and Mars, the god of war. The arrival of Venus and Mars in Cambridge presents a rare opportunity to see the work outside of London.
Hace 5 días · Cambridge News. Fitzwilliam Museum. 500-year-old painting leaves National Gallery for first time to be displayed in Cambridge. The painting Venus and Mars by Italian Renaissance artist Sandro...
Hace 1 día · The paintings, which are on loan for different periods of between two and four months, are being described as ‘national treasures’. That is not an overstatement. Two of them, the superlative 14th-century Wilton Diptych, which is now at the Ashmolean, Oxford, and Sandro Botticelli’s Venus and Mars, which is at the Fitzwilliam Cambridge, have never been lent before, partly for reasons of ...
