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  1. 13 de oct. de 2019 · GODZILLA 2014 vs SHIN GODZILLA | PART ONE. --3D MODEL CREDITS--SteeliaMMD Charizard--MUSIC--Godzilla Main Theme - Akira Ifukube, Bear McCrearyTwo Against One - Alexandre...

    • 4 min
    • 43.7M
    • Wobbly Works
  2. 2 de ago. de 2021 · Godzilla and Shin Godzilla FIGHT in REAL LIFE in this crazy kaiju animation battle!! Gaming Channel - https://bit.ly/30X3UQ5 Twitter - https://bit.ly/3yZrRGe Instagram -...

    • 8 min
    • 692.4K
    • Capi Reacts
  3. 6 de nov. de 2016 · Luis Duran. 94K subscribers. Subscribed. 55K. 8.7M views 7 years ago. This is the Big Remake of the First Trailer! GODZILLA 2014 vs. SHIN GODZILLA! Took me about 4 hours or so to make......

    • 3 min
    • 8.7M
    • Luis Duran
  4. All in all, comparing KOTM and Godzilla 2014, you can tell that the technological advancements over the 5 years after 2014 was unrealistic, speaking lightly. The fan service part was really cool and Legendary definitely didn’t spare any expense on the screen time for the monsters.

    • Overview
    • Plot
    • Staff
    • Japanese Cast
    • English Cast

    (シン・ゴジラ,   Shin Gojira?), also known as Godzilla Resurgence, is a 2016 Japanese tokusatsu kaiju film produced by Toho Company Ltd., and the thirty-first installment in the Godzilla series. It was released in Japanese theatres on July 29, 2016, and was also theatrically released in limited runs during late 2016 in 100 international territories, including North America, Central America, South America, and the Caribbean.

    was co-directed by Hideaki Anno and Shinji Higuchi, with a screenplay written by Anno. The film acts as a reboot to the series, and details Godzilla's origins, and his arrival in Japan for the first time, while also showcasing the human response to the disaster.

    The Japanese Coast Guard boards a small boat in Tokyo Bay. Its occupant, a scientist, has completely vanished, despite the boat's interiors being clean, and nearly untouched, with the scientist's slippers being the only visible remains. Suddenly, the boat rocks violently due to an exterior explosion. Meanwhile, a large amount of what appears to be blood crashes into an underwater tunnel, causing multiple car accidents.

    People evacuate while the Japanese government desperately tries to determine what caused the incident. At first, they insist that it's impossible for it to have been caused by a living thing, much to the chagrin of certain officials, but to their surprise, a news report shows footage of the appearance of an enormous serpentine tail splashing out of the ocean. The Prime Minister proceeds to make a press statement, announcing that it's scientifically improbable for the creature to make landfall, however, mid-speech, it does, much to his surprise.

    The fish-like creature that emerges from the bay resembles a hybrid between a moray eel and a frilled shark, but with spiky dorsal plates on its back and a pair of stubby, undeveloped forelimbs. Bleeding from its gills as it struggles to breathe on land, it thrashes about and drags itself down the streets of Kamata in Tokyo, pushing ships and cars in front of it out of the way, crushing everything in its path as well as climbing on buildings, causing them to collapse, and leaves an immense trail of destruction in its wake. Government meetings continue.

    Suddenly, the creature stops moving and collapses in the street. Then, it begins to grow, its rubbery yellow skin grotesquely rippling and hardening to a tougher, scaly burnt-orange shade. Its gills shrink and close up, the stumpy growths on its side emerge into a pair of small, clawed arms, and its hind limbs grow in size and strength, allowing it to stand upright. As it stumbles through Shinagawa in its new form, the Self-Defense Force arrives to attack it. However, the Prime Minister refuses to allow the attack to begin, as there are still people in the vicinity. The monster roars loudly at the attackers nearby and then proceeds back to the harbor as its dorsal spines begin to glow red, destroying a large building as it escapes, and disappears into the sea. Now the government must figure out what has happened, try to prevent it from happening again, and clean the mess up.

    Committees are formed. A group of marginal scientists gathers to try to research the monster with what limited knowledge they have. Talks begin with governments around the world, mostly with the U.S. government. Due to its large size and rapid mutations, they speculate it requires an enormous amount of energy, not only to move but to maintain its metabolism. They speculated its energy comes from nuclear fission, speculation confirmed by traces of radiation that match the creature's trail. Nuclear fission also produces an enormous amount of heat, which is cooled by the dorsal spines on its back. They speculated the creature had to retreat to the sea because its rapid mutation used too much energy and thus produced too much heat for its body to cool itself down, thus it retreated to the sea to lower its body temperature to prevent overheating. They also discover its genome has eight times as much DNA as humans, explaining its ability to self-mutate seemingly at will.

    Then, appearing south of Kamakura in Sagami Bay comes the monster who, based on the missing scientist Goro Maki's research, has been dubbed "Godzilla" by the American military. Having mutated further, the creature is now several times as large as its previous form, with a far bulkier body, a longer tail, and a dark, nearly black skin glowing red with energy in some parts of its body. It slowly enters Tokyo, wreaking havoc with every step, destroying the city with its movement alone. The government struggles to come up with answers and a means to counter the threat. The Self-Defense Force then returns. The Prime Minister reluctantly gives permission to hit Godzilla with everything they have, with which they do. Godzilla, however, maintains an undamaged state and destroys much of the nation's ground force in the process.

    Staff role on the left, staff member's name on the right.

    •Directed by Hideaki Anno, Shinji Higuchi

    •Written by Hideaki Anno

    •Produced by Minami Ichikawa, Taichi Ueda, Yoshihiro Sato, Masaya Shibusawa, Kazutoshi Wadakura

    •Music by Shiro Sagisu

    •Cinematography by Kosuke Yamada

    •Deputy Chief Cabinet Secretary (Rando Yaguchi,   矢口 蘭堂?, Yaguchi Randō): (Hiroki Hasegawa,   長谷川 博己?, Hasegawa Hiroki)

    •Special Adviser to the Prime Minister (Hideki Akasaka,   赤坂 秀樹?, Akasaka Hideki): (Yutaka Takenouchi,   竹野内 豊?, Takenouchi Yutaka)

    •(Kayoko Ann Patterson,   カヨコ・アン・パタースン?, Kayoko An Patāsun): (Satomi Ishihara,   石原 さとみ?, Ishihara Satomi)

    •Cabinet

    •Prime Minister (Seiji Okouchi,   大河内 清次?, Ōkouchi Seiji): (Ren Osugi,   大杉 漣?, Ōsugi Ren)

    •Chief Cabinet Secretary (Ryuta Azuma,   東 竜太?, Azuma Ryūta): (Akira Emoto,   柄本 明?, Emoto Akira)

    •Deputy Chief Secretary Rando Yaguchi: Todd Haberkorn

    •Kayoco Anne Patterson, special envoy for the President of the United States: Trina Nishimura

    •Hideki Akasaka, aide to the Japanese Prime Minister: J. Michael Tatum

    •Seiji Okouchi: Kent Williams

    •Yasuda: Ian Sinclair

    •Yusuke Shimura: Micah Solusod

  5. In Japan Shin Godzilla earned ¥625 million ($6.1 million) on its opening weekend and was number one at the box office for that weekend, placing Finding Dory at second place and One Piece Film: Gold at third place, and earned 23% more than 2014's Godzilla when it opened in Japan.

  6. Argumento. La película empieza mostrando, de forma retrospectiva, las pruebas atómicas realizadas en las Islas Marshall en las que, aparentemente, se trataba de eliminar a una inmensa criatura que salía del océano.