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Y el mundo marcha (título original en inglés: The Crowd) [1] es una película muda estadounidense de 1928 dirigida por King Vidor. Está protagonizada por James Murray, Eleanor Boardman y Bert Roach. Fue nominada a dos premios Óscar en la primera edición de estos premios. [2]
- King Vidor, John V.A. Weaver
- King Vidor
- Y el mundo marcha
- Irving Thalberg
The Crowd: Directed by King Vidor. With Eleanor Boardman, James Murray, Bert Roach, Estelle Clark. The life of a man and woman together in a large, impersonal metropolis through their hopes, struggles, and downfalls.
- (9.2K)
- King Vidor
- Not Rated
- Eleanor Boardman, James Murray, Bert Roach
The Crowd is a 1928 American silent romance film directed by King Vidor and starring James Murray, Eleanor Boardman and Bert Roach. The feature film was nominated at the first Academy Award presentation in 1929, for several awards , including Unique and Artistic Production for MGM and Best Director for Vidor.
Y el mundo marcha es una película dirigida por King Vidor con James Murray, Eleanor Boardman, Bert Roach, Estelle Clark .... Año: 1928. Título original: The Crowd. Sinopsis: Un joven solitario impulsado por la ambición y el idealismo se enfrenta a la vida en el Nueva York de principios del siglo XX.
- Estados Unidos
- Henry Sharp (B&W)
- King Vidor
Director King Vidor (1894–1982) had a long and distinguished career in both silent and sound films, but his masterpiece is unquestionably The Crowd. Within the simple framework of the life of an ordinary man trying to make his way in the big city, Vidor created a landmark American film. Vidor fell in love with the movies as a child.
Film. Time Out says. Certainly one of Vidor's best films, a silent masterpiece which turns a realistically caustic eye on the illusionism of the American dream. A young man ('born on America's 124th birthday') arrives in the big city convinced that he is going to set the world on fire, only to find that life isn't quite like that.
Mr. Vidor's bits of this amusement spot give one all the pleasure with none of the discomforts. You see the antics of some of the island's multitudes, and when Mr. Vidor turns to other scenes you will perhaps feel glad that you are sitting in a comfortable Theatre seat and not holding a strap on a subway train.
