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In Ronald Neame’s film of Joyce Cary’s classic novel, Alec Guinness transforms himself into one of cinema’s most indelible comic figures: the lovably scruffy painter Gulley Jimson.
A perceptive examination of the struggle of artistic creation, THE HORSE’S MOUTH is also Neame’s comic masterpiece. Directed by Ronald Neame • 1958 • United Kingdom Starring Alec Guinness, Kay Walsh, Renee Houston In Ronald Neame’s film of Joyce Cary’s classic novel, Alec Guinness transforms himself into one of cinema’s most indelible comic figures: the lovably scruffy painter ...
Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even ...
A perceptive examination of the struggle of artistic creation, The Horse's Mouth is also Neame's comic masterpiece. Directed by Ronald Neame • 1958 • United Kingdom In Ronald Neame's film of Joyce Cary's classic novel, Alec Guinness transforms himself into one of cinema's most indelible comic figures: the lovably scruffy painter Gulley Jimson.
26 de ago. de 2014 · Watch the original trailer of The Horse's Mouth, a 1958 comedy film starring Alec Guinness as a rebellious painter.
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3 de jun. de 2002 · B y any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it struck this avid young provincial filmgoer, who had never been inside a pub, let alone heard any of Prokofieff’s music, in 1959.
3 de jun. de 2002 · The Horse's Mouth. "I ’ll show you how to understand a painting,” says the reprobate artist Gulley Jimson to his on-off lady friend Coker. “Don’t look at it. Feel it with your eyes. Feel the shapes in the flat, like patterns. Then feel it in the round. Feel all the flaws and sharp edges, the lights and the shades, the cools and the warms.
