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Touch of Evil is a 1958 American film noir written and directed by Orson Welles, who also stars in the film. The screenplay was loosely based on the contemporary Whit Masterson novel Badge of Evil (1956). The cast included Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff and Marlene Dietrich.
- $829,000
- Henry Mancini
- April 23, 1958
- Albert Zugsmith
Touch of Evil (en Argentina y en España, Sed de mal; en México, Sombras del Mal) es una película estadounidense del año 1958 dirigida, escrita y protagonizada por Orson Welles. Para muchos críticos, este es el último gran filme del período clásico del cine negro estadounidense.
- Orson Welles
- Orson Welles
- Sed de mal, (Argentina y España), Sombras del Mal, (México)
- Albert Zugsmith
Touch of Evil: Directed by Orson Welles. With Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia. A stark, perverse story of murder, kidnapping and police corruption in a Mexican border town.
- (108K)
- Crime, Drama, Film-Noir
- Orson Welles
- 1958-04-23
28 de ago. de 2021 · Touch of Evil is a 1958 American FILM NOlR written and directed by Orson Welles, who also stars in the film. The screenplay was loosely based on the contemporary Whit Masterson novel Badge of Evil (1956). The cast included Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor and Mercedes ...
- 110 min
- 14.3K
- Enid Montague508
Written by Orson Welles loosely based on Whit Masterson’s Badge of Evil, shot by Russell Metty with Henry Mancini’s score, and featuring Charlton Heston, Janet Leigh, Joseph Calleia, Marlene Dietrich, Akim Tamiroff, Dennis Weaver and Welles himself, Touch of Evil is one of the best film noirs ever made.
Sed de mal es una película dirigida por Orson Welles con Charlton Heston, Janet Leigh, Orson Welles, Marlene Dietrich .... Año: 1958. Título original: Touch of Evil. Sinopsis: Un agente de la policía de narcóticos (Heston) llega a la frontera mexicana con su esposa justo en el momento en que explota una bomba.
13 de sept. de 1998 · To some degree, his characters reflected his feelings about himself and his prospects, and “Touch of Evil” may be as much about Orson Welles as Hank Quinlan. Welles brought great style to his movies, embracing excess in his life and work as the price (and reward) of his freedom.
