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  1. Preacher. Professor Alan Torrance, Emeritus Professor of Systematic Theology, University of St Andrews. “ It’s a sumptuous sound from the Choir of Trinity College Cambridge, directed by Stephen Layton. The high standard…guides us through not far off two centuries of Anglican tradition “. Andrew McGregor, BBC Radio 3.

    • About

      Highlights of the Choir’s extensive discography include...

    • Concerts

      The Choir makes its traditional May Week appearance atop the...

    • Recordings

      Recordings of Baroque and 20th century repertoire have...

    • Webcasts

      Webcasts. The Choir sings weekly choral services in Chapel...

    • Support

      Through its concerts, tours and recordings Trinity College...

    • Organ

      Trinity College’s magnificent mechanical-action Metzler...

  2. 16 de ene. de 2017 · Recorded in Trinity College Chapel with an outstanding cast of soloists (including three Trinity alumni) and the Orchestra of the Age of Enlightenment’s period forces, this recording offers a majestic account of Bach’s magnum opus. > Album page and digital booklet at Hyperion Records.

  3. Choral Scholars and Volunteers and Organ Scholars all receive six free singing lessons per term from one of our experienced and highly-respected singing teachers. All of our singing teachers are accomplished singers in their own right with a wealth of professional experience as soloists and ensemble singers.

  4. Soprano Vocals [Choir] – Alison Hill, Bethany Partridge, Catherine White (2), Catriona Casha, Elisabeth Krizek, Faith Waddell, Georgia Way, Hannah King (3), Hannah Partridge, Julia St Clair, Mary Price (10), Rachel Ambrose Evans, Zoë Brown.

    • 3
    • 2 x CD
    • UK
    • Hyperion-CDA68031/2
  5. 28.5K subscribers ‧ 203 videos. Voted the fifth best choir in the world in Gramophone magazine’s ‘20 Greatest Choirs’, the Choir of Trinity College Cambridge comprises around thirty...

  6. Anthems are bread and butter in the Trinity choirs weekly diet of chapel services, and their consummate grasp of idiom energises the opening item, Elgar’s ‘Great is the Lord’. Moving with a symphonic sweep across its ten-minute span, it also boasts an excellent bass soloist in the shape of Florian Störtz.