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Fellini 8½ es una película dirigida por Federico Fellini con Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo .... Año: 1963. Título original: 8½ (Otto e mezzo). Sinopsis: Después de obtener un éxito rotundo, un director de cine atraviesa una crisis de creatividad e intenta inútilmente hacer una nueva película.
Fellini 8½ es una película dirigida por Federico Fellini con Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo .... Año: 1963. Título original: 8½ (Otto e mezzo). Sinopsis: Después de obtener un éxito rotundo, un director de cine atraviesa una crisis de creatividad e intenta inútilmente hacer una nueva película.
A 8½ (eredeti címe olaszul/franciául kiolvasva: Otto e mezzo / Huit et demi) 1963-ban bemutatott fekete-fehér, olasz–francia filmdráma, Federico Fellini alkotása. A filmtörténet első rendezői önvallomása, benne a művész alteregóját Marcello Mastroianni formálta meg.
One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act. Drama 1963 2 hr 18 min. 97%.
11 de may. de 2017 · The director-hero of 8½ is the center of the film universe, the creator on whose word everything waits, the man sought after by everyone, the one for whom all possibilities are open. by Pauline Kael. Some years ago a handsome, narcissistic actor who was entertaining me with stories about his love affairs with various ladies and gentlemen ...
Tiếng Ý. Tiếng Pháp. Tiếng Anh. Tiếng Đức. Doanh thu. 3,5 triệu USD (doanh thu cho thuê băng) [2] 8½ là bộ phim điện ảnh Italia, giành 2 giải Oscar cho hạng mục phim tiếng nước ngoài hay nhất và thiết kế trang phục, được đề cử 3 giải khác. Phim cũng tham gia Liên hoan phim Cannes ...
12 de ene. de 2010 · 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films. Hence 8½ is like an opus number: this is ...
