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Running time. 240 minutes. Country. France. Language. French. A Grin Without a Cat is a 1977 French essay film by Chris Marker. It focuses on global political turmoil in the 1960s and '70s, including the rise of the New Left in France and the development of socialist movements in Latin America.
- French
- Chris Marker
- Dovidis
- Luciano Berio
30 de may. de 2018 · I’ve often seen a cat without a grin,’ thought Alice; ‘but a grin without a cat! It’s the most curious thing I ever saw in my life!’. So the "grin" (the facial expression) is hovering in space, and the rest of the cat's face and body are gone (or invisible). This is not physically possible in the real world.
11 de abr. de 2021 · a-grin-without-a-cat Scanner Internet Archive HTML5 Uploader 1.6.4. plus-circle Add Review. comment. Reviews There are no reviews yet. Be the first one to ...
23 de nov. de 1977 · A Grin Without A Cat: Directed by Chris Marker. With Simone Signoret, Jorge Semprún, Davos Hanich, Sandra Scarnati. French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.
- (1.1K)
- Documentary
- Chris Marker
- 1977-11-23
A Grin Without a Cat is a film without a dogma, celebrating the promise of socialist ideas (the grin) while realizing that the brave new world they envision (the cat) remains elusive and intangible as its twentieth-century trial runs slip farther into the past.
22 de ene. de 2021 · source: Icarus Films. It moves with a crackling pace that’s marginally less dreamy than the somnambulant beauty of Sans Soleil. A Grin Without a Cat has an anarchic poise and possesses an elevated sense of intelligent irony in its ironic editing and posturing of images.
10 de oct. de 2012 · A Grin Without a Cat works by engineering connections, generating reciprocities. Rejecting textbook history, it instead offers op-ed, montage, jokes, questions, a chorus of voices. These give rise to a remarkable fluidity of meaning and emotion, which is a hallmark of Marker’s work, but reminiscent also of other radical practitioners.