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Aaron Zigman (born January 6, 1963) is a classically-trained American composer, producer, arranger, songwriter, and musician who has scored music for films including The Notebook, The Company Men, Bridge to Terabithia, John Q., The Proposal, Flicka, For Colored Girls, Flash of Genius, Sex & the City, Alpha Dog, and Escape from Planet ...
Aaron Zigman (n. 25 de agosto de 1963; San Diego, California, Estados Unidos) es un compositor musical de la banda sonora de numerosas películas. Ganador de un Premio Daytime Emmy. 1 Ha compuesto la banda sonora de películas como John Q (2002), The Notebook (2004), Step Up (2006), Bridge to Terabithia (2007), Sex and the City (2008) o The ...
AñoPelícula2010201020092009- Universidad de California en Los Ángeles, Point Loma High School
- Estadounidense
A composer, songwriter, orchestrator and creative mind, Aaron Zigman has inspired and entertained millions the world over. Not only is he a powerhouse in the music and film industries, as a classically trained pianist since the age of six and having mastered the art of orchestration, he also has written concert music performed by the most ...
Music Department. Actor. IMDbPro Starmeter See rank. Award-winning film + TV composer Aaron Zigman has composed over 60 film scores for many of Hollywood's major studios and directors.
- January 1, 1
- Composer, Music Department, Actor
- San Diego, California, USA
- Aaron Zigman
Overview. Born. January 6, 1963 · San Diego, California, USA. Mini Bio. Award-winning film + TV composer Aaron Zigman has composed over 60 film scores for many of Hollywood's major studios and directors.
- January 6, 1963
Zigman believes tango is one of music’s most colorful and emotional forms, making the idea of a tango‐based concerto for piano and orchestra both intriguing and compelling. Zigman points out that the tango expresses feelings of “pain, beauty, and love, yet it is also a dance that must reflect these emotions.
1 de mar. de 2024 · NEW YORK (AP) — Aaron Zigman goes back to the 1940s in composing “Émigré,” an oratorio portraying Jews who fled Nazi Germany for Shanghai. His 90-minute, two-act work, given its U.S. premiere by the New York Philharmonic on Thursday night, evokes a World War II-era sound reminiscent of Richard Rodgers and Oscar Hammerstein II.