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  1. 30 de abr. de 2024 · Agnes Moorehead (born Dec. 6, 1900, Clinton, Mass., U.S.—died April 30, 1974, Rochester, Minn.) was a versatile American actress who is best remembered for her portrayals of strong, eccentric characters and whose career extended to radio, the stage, film, and television.

    • The Editors of Encyclopaedia Britannica
  2. Hace 1 día · 2. Agnes Moorehead. Otra actriz que se destacó en la radio fue Agnes Moorehead. Conocida por su papel en la serie «Suspense», Moorehead fue capaz de transmitir una amplia gama de emociones a través de su voz. Sus interpretaciones cautivadoras y su habilidad para crear tensión hicieron que los oyentes se quedaran pegados a sus radios.

  3. 24 de abr. de 2024 · MOVIES. From 'War of the Worlds' to 'Bewitched,' Clinton native Agnes Moorehead an acting legend. Craig S. Semon. Worcester Magazine. 0:03. 1:30. “We are quicksilver, a fleeting shadow, a distant sound... our home has no boundaries beyond which we cannot pass.

  4. 30 de abr. de 2024 · Agnes Moorehead played the mortal-hating witch and mother to Samantha (Elizabeth Montgomery) on Bewitched and is best known for her role as Endora. However, during her career, she appeared in some other very important projects. Moorehead left behind a spirited legacy when she passed away 50 years ago on April 30, 1974.

  5. 30 de abr. de 2024 · Agnes Moorehead as Endora. During her iconic stint on Bewitched, Agnes Moorehead played Samatha's mother, Endora. Moorehead had quite the career before this role... She launched her acting career in 1941 as Mary Kane in Citizen Kane.

  6. 30 de abr. de 2024 · 2 views 1 minute ago. Today we remember Agnes Moorehead, who passed away on this day in 1974. Her career spanned 5 decades, with the actress receiving an Emmy, two Golden Globes, and four Oscar...

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  7. Hace 2 días · The scene below is five minutes, worth a watch for the performances alone (Agnes Moorehead and Jane Russell are the film’s most dynamic pairing) but the breakdown is actually quite short, and mostly photos of each new configuration. Today we’re keying in on blocking rearrangements which keep the scene dynamic: when they come, how the characters are positioned in relation to each other, and ...