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Agnes Pugin, 1836-1895. by Michael Fisher. Agnes was born at what was then the Pugin family home - St Marie’s Grange, Salisbury - on 13 October 1836, an auspicious day, Pugin might well have thought, as it was the Feast of St Edward Confessor, Patron of England. She was the second child of Pugin’s marriage (1833) to Louisa Button, the first ...
Augustus Hubert Welby Pugin was born in month 1890, in birth place, to Edmund Peter Paul Pugin and Agnis Pugin (born Bird). Augustus had 4 siblings: Florence Marian Pugin and 3 other siblings . Augustus married first name Pugin (born Jobson) .
In 1838 he began work on his first major architectural commission, Alton Towers, Staffordshire, designed for John Talbot, Earl of Shrewsbury (1791-1852). By the early 1840s Pugin was being recognized as the leading Roman Catholic church architect of his generation.
Augustus Welby Pugin (Bloomsbury, Londres, 1 de Março de 1812 – Ramsgate, 14 de Setembro de 1852) foi um arquiteto, designer, artista e crítico inglês com origens francesa e suíça da Inglaterra, Vida. Ele é lembrado principalmente por seu papel pioneiro no estilo de arquitetura neogótica.
- Auguste Charles Pugin, Catherine Welby
- 14 de setembro de 1852 (40 anos), Ramsgate
- Reino Unido da Grã-Bretanha e Irlanda
- 1 de março de 1812, Bloomsbury
Augustus Welby Northmore Pugin (Bloomsbury, Londres, 1812ko martxoaren 1a - Ramsgate, Kent, 1852ko irailaren 14a) ingeles arkitekto, diseinatzaile, artista eta kritikaria izan zen. Estilo neogotikoan aitzindaria izan zen.
He married secondly (1833) Louisa Burton (d. 1844), who bore him five children: Edward Welby, Cuthbert, Agnes, Katherine, and Mary. In 1835 they moved to a house of his design, ‘St Marie's Grange’, near Salisbury (in which he would reside for two years), and he converted to Roman catholicism.
Extract. In this touching and perceptive memoir written late in his life, John Hardman Powell calls himself Pugin's pupil. He was in fact the only person who had the right to call himself that. Pugin never set up an office in the usual manner of busy mid-nineteenth-century architects.
