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30 de sept. de 2016 · Entre 1872 y 1884, Agostina Segatori mantuvo una relación un tanto conflictiva con el pintor Edouard Joseph Dantan y tuvo un hijo que el artista no quiso reconocer, Jean-Pierre Segatori. Unos años más tarde, consciente de las dificultades para seguir ejerciendo de modelo y con la finalidad de independizarse, Agostina monta su propio negocio, el Café au Tambourin (Café de la pandereta).
Vincent van Gogh, Agostina Segatori sentada en el Café du Tambourin, 1887-1888, Museo Van Gogh. Cafetería du Tambourin fue un café restaurante en París, Francia. Propiedad de Agostina Segatori, primero se ubicó en 27 rue de Richelieu, y desde marzo de 1885 reabrió en 62 Bulevar de Clichy. El reconocido Jules Chéret hizo un cartel para ...
The colours are violent, expressive, revealing Van Gogh to be a precursor of Fauvism.Agostina Segatori's face, in which red and green prevail, is an incarnation of the artist's objective, verbalised a year later in Arles: "to be able to express the terrible passions of humanity by means of red and green".
The proprietress of the cafe, Agostina Segatori, is thought to be the striking woman in this painting of The Italian. Van Gogh had also staged an exhibition of Japanese prints at the cafe in March 1887, some months before this painting was done, and it is thought through correspondence with Theo that he had embarked on a turbulent affair with Agostina.
Amsterdam, Netherlands. The Naples-born Agostina Segatori owned the café Le Tambourin on the Boulevard de Clichy in Paris. Van Gogh had a brief relationship with her. On the wall to the right is a Japanese print of two geisha girls. It was probably Van Gogh, who painted the café proprietor at the time of a sales exhibition of Japanese prints ...
Amsterdam, Netherlands. The Naples-born Agostina Segatori owned the café Le Tambourin on the Boulevard de Clichy in Paris. Van Gogh had a brief relationship with her. On the wall to the right is a Japanese print of two geisha girls. It was probably Van Gogh, who painted the café proprietor at the time of a sales exhibition of Japanese prints ...
Agostina Segatori passed away in 1910 and did not see these changes. Her trajectory - from model to mistress to restaurant owner - is at odds with that of the stereotypical modèle italien. Her death certificate indicates that at some point she married a Frenchman - Gustave Julien Morière - and her son would take this man's name, continuing the process of integrating into French culture.
