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  1. 25 de jun. de 2022 · Jolson's second talkie featured his huge song hit "Sonny Boy". "The Singing Fool" was Jolson's most successful film musical and it had the highest box office...

    • 4 min
    • 11K
    • GreatPerformers1
  2. www.imdb.com › name › nm0427231Al Jolson - IMDb

    Al Jolson. Actor: The Jazz Singer. Al Jolson was known in the industry as "The World's Greatest Entertainer," for well over 40 years. After his death his influence continued unabated with such performers as Sammy Davis Jr., Elvis Presley, Mick Jagger, David Bowie, Jackie Wilson and Jerry Lee Lewis all mentioning him as an inspiration.

  3. Al Jolson. Actor: The Jazz Singer. Al Jolson was known in the industry as "The World's Greatest Entertainer," for well over 40 years. After his death his influence continued unabated with such performers as Sammy Davis Jr., Elvis Presley, Mick Jagger, David Bowie, Jackie Wilson and Jerry Lee Lewis all mentioning him as an inspiration. Al Jolson was born Asa Yoelson in Seredzius, Lithuania, to ...

  4. 19 de may. de 2010 · The fantastic Al Jolson performing his signature tune 'Mammy' in the finale of the 1927 film 'The Jazz Singer' and yes, it's in blackface! Great performance....

    • 2 min
    • 2.7M
    • Xanadude192
  5. www.wikiwand.com › es › Al_JolsonAl Jolson - Wikiwand

    Asa Yoelson ( Seredzius, Lituania, 26 de mayo de 1886- San Francisco, California, 23 de octubre de 1950) fue un cantante, actor, guionista y director de música estadounidense de origen ruso. Datos rápidos Información personal, Nombre de nacimiento ... Asa Yoelson fue un cantante, actor, guionista y director de música estadounidense de ...

  6. jolson .org. Al Jolson (May 26, 1886 – October 23, 1950) was a Lithuanian-American Jewish singer, comedian, actor, and vaudevillian. His career lasted from 1911 until his death in 1950. He was called "the world's greatest entertainer”. [2] His singing style was "sentimental [and] melodramatic". This style made many songs popular. [3]

  7. Variety, October 12, 1927. Undoubtedly the best thing Vitaphone has ever put on the screen. The combination of the religious heart interest story and Jolson’s singing “Kol Nidre” in a synagog while his father is dying and two “Mammy” lyrics as his mother stands in the wings of the theatre, and later as she sits in the first row, carries abundant power and appeal.

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