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  1. Aleksei Kruchenykh has 73 works online. Aleksandr Rodchenko has 247 works online. There are 10,456 illustrated books online. Licensing. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please ...

  2. Aleksei Kruchenykh wrote the libretto tor Victory Over the Sun, Velimir Khlebnikov contributed the prologue, Mikhail Matiushin composed the music, and Kazimir Malevich designed the sets and costumes. The collaboration of these four men was a result of the reallignment of artistic forces early in 1913,

  3. Discover and purchase Aleksei Kruchenykh’s artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.

  4. Aleksei Kruchenykh. Untitled from 1918. 1917. Vasilii Kamenskii, Aleksei Kruchenykh. Collage from a book with eight collages (including cover, one with letterpress), four lithographs (three with collage additions), and lithographed manuscript text. page (irreg.): 9 1/16 x 13 1/2" (23 x 34.3 cm).

  5. Aleksei Kruchenykh (1886-1968) was a noted poet of the Russian Silver Age of literature. A radical even within the Russian Futurist movement, his best known works are the poem “Dyr bul shstyl” and the opera Victory over the Sun , with sets by Kazimir Malevich and music by Mikhail Matiushin.

  6. Aleksei Kruchenykh, Kirill Zdanevich. Uchites' khudogi! Stikhi. 1917. Aleksei Kruchenykh. Brown paper cover with lithographed manuscript text and illustration mounted on front; 16 lithographed illustrations; lithographed manuscript text includes manuscript designs by Kruchenykh. Page: 9 5/16 x 7 1/4" (23.7 x 18.4 cm). Unidentified, Tiflis. Gift of The Judith Rothschild Foundation (Anonymous ...

  7. Aleksei Kruchenykh (1886–1968) still retains the repu-tation given him in the 1920s by his Futurist colleagues and the general public as the “wild man of Russian liter-ature.”1 The main reason for this is his creation of the most radical form of so-called transrational language (zaum), which involved the production of poetry using