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  1. The poet and artist Aleksei Kruchenykh is best known as one of the most dedicated and radical proponents of Russian Futurism. In A Slap in the Face of Public Taste , a manifesto issued in 1912, he and his co-authors called for the inauguration of a new artistic language: “Throw Pushkin, Dostoevsky, Tolstoy, et al., et al. , overboard from the Ship of Modernity,” they declared.

  2. Aleksei Yeliseyevich Kruchyonykh was a Russian poet, artist, and theorist, perhaps one of the most radical poets of Russian Futurism, a movement that included Vladimir Mayakovsky, David Burliuk and others. Born in 1886, he lived in the time of the Russian Silver Age of literature, and together with Velimir Khlebnikov, another Russian Futurist, Kruchenykh is considered the inventor of zaum, a poetry style utilising nonsense words. Kruchonykh wrote the libretto for the Futurist ...

  3. › wiki › Alexey_KruchenykhAleksei Kruchyonykh

    Aleksei Yeliseyevich Kruchyonykh ( ruso: Алексей Елисеевич Кручёных; 9 febrero 1886 a 17 junio 1968) era un ruso poeta, artista y teórico, quizás uno de los más radicales poetas de Rusia Futurismo, un movimiento que incluye Vladimir Maiakovski, David Burliuk y otros.

  4. Aleksei Kruchenykh Vselenskaia voina (Universal War) 1916 Not on view When Aleksei Kruchenykh published this book of twelve abstract collages, he accompanied each one with a short poem written in a novel mode called zaum (usually translated as "beyonsense" or "transrational"), which he had invented with his fellow-poet Velimir Khlebnikov.

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    1. with V., N. and D. Burliuk, Kamensky, Guro, Khlebnikov, et al., Sadok sudey [Садок Судей], St Petersburg: Zhuravl' [Журавль], [Apr 1910], 131 pp, JPG, IA, HTML. (Russian) 1. with Velimir Khlebnikov, Igra v adu[Игра в аду; A Game in Hell], illustr. Natalia Goncharova, Moscow: [Kuzmin & Dolinsky], Aug 1912; new ed., illustr. Olga Rozanova and Kazimir Malevich, late 1913. 2. Starinnaya lyubov[Старинная любовь; Old-Time Love], illustr. Mikhail Larionov, [Moscow]: [Kuzmin & Dolinsky], cAug 1912...

    Collected writings

    1. Kukish proshliakam: Faktura slova, Sdvigologiia russkogo stikha, Apokalipsis v russkoi literature [Кукиш прошлякам], Moscow and Tallinn: Hylaea, 1992. (Russian) 2. Our Arrival: From the History of Russian Futurism, ed. Vasily Rakitin and Andrei Sarabianov, trans. Alan Myers, Moscow: RA, 1995, 191 pp. 3. Stikhotvorenya, poemy, romany, opera [Стихотворения. Поэмы. Романы. Опера], St. Petersburg, 2001, 480 pp. (Russian) 4. with Igor Terentyev, Sergei Tretyakov, K istorii russkogo futurizma: v...

    Vladimir Markov, Russian Futurism: A History, University of California Press, 1968, pp 41-48 (part of Hylaea), 126-132 (as cubo-futurist), 200-206, 334-350, 365-374, 428-429 (selected bibliography).
    Rosmarie Ziegler (Розмари Циглер), "Поэтика А.Е. Кручёных поры «41°». Уровень звука", 'L’avanguardia a Tiflis' — Quaderni del Seminario di Iranistica, Uralo-Altaistica e Caucasologia dell’Universit...
    Rosmarie Ziegler (Розмари Циглер), "Группа «41°»", Russian Literature 8 (1985), pp 71-86. (Russian)
  5. Aleksei Kruchenykh. Valia Zdanevich. 1923. Collage with photograph, pencil and watercolor manuscript text. sheet: 13 3/16 x 8 7/16" (33.5 x 21.5 cm). Gift of The Judith Rothschild Foundation (Boris Kerdimun Archive). 5.2001. Drawings and Prints

  6. Aleksei Kruchenykh, Aleksandr Rodchenko. Zaumniki (Transrationalists). 1921. Velimir Khlebnikov, Aleksei Kruchenykh, Grigorii Petnikov. Book with two linoleum cuts and one collage illustration. Page: 7 15/16 x 5" (20.2 x 12.7 cm). EUY [Aleksei Kruchenykh], Moscow. Gift of The Judith Rothschild Foundation. 104.2001.1-3. Drawings and Prints

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