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  1. The church, dedicated to Mary Magdalene, is part of the Convent of St. Mary Magdalene, a sisterhood established in 1936 by an English convert, and since the 1920s has been under the jurisdiction of the Russian Orthodox Church Outside Russia (ROCOR), an independent ecclesiastical entity until 2007 and part of the Moscow-based Russian Orthodox Church since then.

  2. The Church of Mary Magdalene of Buda ( Hungarian: Mária Magdolna-templom) is one of the oldest churches of the Várkerület District (Buda Castle District). Dedicated to Jesus' follower, Mary Magdalene, it was built between the 13th and 15th centuries in Gothic style. Today only ruins and the tower of the church remains.

    • Overview
    • Theology
    • Founding and development
    • Music
    • Variety of worship
    • Cultural references

    The Church of St. Mary Magdalene is a parish of the Anglican Church of Canada located in Toronto. It is named for Jesus' companion, Mary Magdalene, and is famous for its association with composer Healey Willan, who was organist and choir-master for well over four decades. In 2013, SMM celebrated its 125th anniversary.

    As an Anglo-Catholic parish, St. Mary Magdalene's has always celebrated the Eucharist as the central act of worship. This has historically been done at St. Mary Magdalene's in a liturgical style reflecting the convergence of Roman Catholic and Anglican influences. In 1919, the church shifted more towards Roman-style parish life: the Rev'd H. Griffin Hiscocks began hearing private confession. Statue of the Blessed Virgin Mary at the Church of St. Mary Magdalene This period also ushered in the use

    The church, nicknamed "SMM" or "St. Mary Mag", was founded in 1888 by a group from the nearby Church of St. Matthias led by the Reverend Charles Darling. The church's somewhat unusual choice for a patron was probably an homage to the Church of St Mary Magdalene, Paddington, where Darling had served as assistant. The church building was designed by the rector's brother—noted Toronto architect Frank Darling. However, his ambitious plans were tempered by the always modest financial resources ...

    St. Mary Magdalene's is particularly well known for excellence in sacred music. In 1940, Robertson Davies reported in the magazine Saturday Night that there were only two things worth doing in Toronto: seeing the Chinese Collection at the Royal Ontario Museum and listening to St. Mary Magdalene's choirs. This owed much to the work of Healey Willan, who came to the parish in 1921 and remained as the organist and choirmaster until shortly before his death in 1968. Willan composed music for St. Mar

    A variety of worship takes place at SMM: daily Masses, Morning Prayer, and Evening Prayer, as well as Solemn Masses on Sundays and important feasts of the Christian calendar. Far from being limited to traditional language liturgies, however, the parish also celebrates contemporary language liturgies based on the Canadian Book of Alternative Services. SMM's role in the development of liturgy in the Anglican Church of Canada can also be seen in claim that the "reordered" 1962 Eucharistic Rite cont

    SMM was part of the composite that Robertson Davies used to form "St. Aidan's" in his novel The Cunning Man. Davies attended Mass there while still a Presbyterian and a student at Upper Canada College. The church is also mentioned in Marian Engel's "The Glassy Sea".

  3. The Roman Catholic church of St. Mary Magdalene in Lviv, Ukraine, is located west of the city's Old Town, by the Lviv Polytechnic . The Roman Catholic church of St. Mary Magdalene. The church was built at the beginning of the 17th century for the Dominican Order, combining the styles of Renaissance and Baroque, and consecrated in 1630.

    • Overview
    • History
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    • Bells

    The Church of St Mary Magdalene is the Church of England parish church for the village of Ditcheat, Somerset, England. There has been a church on the site since 824, and the present building owes much of its grandeur to the Abbots of Glastonbury. Historic England have designated it a Grade I listed building.

    The first church at Ditcheat is believed to have been founded in 824, though all traces of this building have disappeared with centuries of rebuilding. This date comes from an ancient parish book, found by Rev. Henry Tripp in an old chest during the early 1930s. In 842 ...

    In the 12th century, the church was demolished and rebuilt, and as such, no trace of the Saxon church remains. The Norman church that replaced it was likely cruciform in plan, as was common with many churches built at that time. The present church also incorporates 12th-century w

    In the 14th century, the chancel was raised by a further stage, unusually by adding a row of windows directly on top of the old, giving the appearance of a two-storey building. During the final decades of the 15th centuries, the church saw major rebuilding, which included demolis

    The church is built in a cruciform plan, with a four-bay aisled nave, transepts, three-bay chancel, and a low central tower. There is also a substantial south porch, almost transept-like in appearance. The church is built out of local Blue Lias stone. The church covers an area of

    The church has a grand west facade, with the aisles finishing in three-light windows, and the nave, a larger four-light windows, each one separated by buttresses. The aisles and nave are embattled and feature three-light windows along their length, separated by buttresses. The na

    The nave arcade is tall, the aisles narrow, and the nave light. There is little remaining stained glass in the nave, much of it was destroyed in the English Civil War. The nave clerestory has corbels that support the fine tie-beam roof, dating from the late 15th century. The aisl

    During the 17th century, there were 4 bells at Ditcheat, comprising at least one 15th century bell. In 1685, these bells were augmented to five by Thomas Purdue of Closworth, who recast the tenor, and added a treble bell. In 1750, these were augmented to six with a treble cast by William Cockey, and all six bells rehung in a new anticlockwise wooden frame by George Nott. The tenor bell weighed 17 long hundredweight. By 1902, restoration was required. The wooden frame from 1750 was in good condit

    • Overview
    • History
    • Architecture

    The Church of St Mary Magdalene is a Roman Catholic church building in Valletta, Malta. The church, named after Jesus' companion Mary Magdalene, was part of the Magdalene asylum situated adjacent to the church. The church was deconsecrated in the mid 20th century and was blessed again by Bishop Charles Scicluna on 25 February 2015.

    The church was built around the 1595 as the church of the Magdalene nuns whose convent they had adjacent to the church. While most Magdalene monasteries were not wealthy, Malta's Magdalene sisters were indeed. In 1602 Pope Clement VIII gave the house the rights to one fifth of the goods and estates of deceased prostitutes in Malta. This changed the financial status of the order; it soon became the richest monastery in Malta. The works of the Magdalene nuns ended in 1798 with the arrival of the F

    The church is square and has a very pain exposed side only containing two windows. The façade is built in a Mannerist style with the central bay set within the square frame of the building. It has three bays on two levels. Inside the church has a baroque style.

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