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Ermengarde (Occitan: Ermengarda, Ainermada, or Ainemarda) (b. 1127 or 1129 – d. Perpignan, 14 October 1197), was a viscountess of Narbonne from 1134 to 1192. She was the daughter of Aimery II of Narbonne and his first wife, also named Ermengarde.
- Viscounts of Narbonne
Narbonne was nominally subject to the Carolingian counts of...
- Viscounts of Narbonne
Narbonne was nominally subject to the Carolingian counts of Toulouse but was usually governed autonomously. The city was a major port on the Mediterranean Sea. In the 12th century, Ermengarde of Narbonne (reigned 1134 to 1192) presided over one of the cultural centers where the spirit of courtly love was developed.
Ermengarde of Servian: Cónyuge: Bernard IV of Anduze: Información profesional; Ocupación: Política y Señor Feudal: Cargos ocupados: Vizconde de Narbona (1134-1192) Conflictos: Gran Guerra Occitana
- Aimery II, Ermengarde of Servian
- c. años 1120, valor desconocido
- Commanderie du Mas Deu
Ermengarde de Narbonne, (vers 1127/1129-en Roussillon, 1196 ou 1197), vicomtesse de Narbonne de 1134 à 1192/1193, est une figure politique importante de l'Occitanie dans la seconde moitié du XII e siècle. Elle est également connue pour la protection qu'elle apporta aux troubadours.
- 1196/1197
- Maison de Narbonne
- vers 1127/1129
- Aymeri II de Narbonne
Ermengarde of Narbonne (c. 1120–c. 1194) Viscountess of Narbonne. Born around 1120 in Narbonne; died around 1194 in Narbonne; daughter of Aimery II, viscount of Narbonne; married at least three times, although husbands' identities are uncertain; children: none.
Ermengarde of Narbonne (1127/29–1197), Viscountess of Narbonne; Ermengarde de Beaumont (1170–1234), wife of William I of Scotland; Ermengard of Provence (died 896/97), wife of Boso of Provence; Ermengard of Tours (died 851), wife of Lothair I; Ermengarde of Auvergne, mother of William I of Aquitaine
6 de ago. de 2018 · Ermengard of Narbonne serves as the unifying thread in his exhaustive penetrating examination of the Narbonnais in the eleventh and twelfth centuries. Cheyette explores Ermengard's identity, her options as a woman, and the ways in which she was constructed, constrained, and empowered in relationship to her gender.
