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  1. Amelia Pincherle; Información personal; Nacimiento: 16 de enero de 1870 Venecia : Fallecimiento: 26 de diciembre de 1954 (84 años) Florencia (Italia) Sepultura: Cementerio comunal monumental Campo Verano: Nacionalidad: Italiana (1946-1954) Familia; Hijos: Carlo Rosselli: Información profesional; Ocupación: Escritora: Área ...

    • 26 de diciembre de 1954 (84 años), Florencia (Italia)
  2. Amelia Pincherle Rosselli (16 January 1870 – 26 December 1954) was an Italian writer. [1] The daughter of Giacomo Pincherle Moravia and Emilia Capon, she was born Amelia Pincherle Moravia in Venice. Her family were wealthy non-practising Jews.

  3. Amelia Pincherle Rosselli ( Venezia, 16 gennaio 1870 – Firenze, 26 dicembre 1954) è stata una scrittrice e antifascista italiana . Indice. 1 Biografia. 1.1 Impegno pubblico. 1.2 Attività antifascista. 1.3 Esilio. 1.4 Il ritorno in Italia. 2 Opere teatrali e novelle. 3 Opere principali. 4 Note. 5 Bibliografia. 6 Voci correlate. 7 Altri progetti.

  4. She continued to speak Italian with her grandmother, Amelia Pincherle Rosselli, a Venetian Jewish feminist, playwright, and translator from a family prominent in the Italian Risorgimento, the movement for independence. Rosselli returned to Italy in 1949, eventually settling in Rome.

    • Italian
    • Italian
  5. Amelia Pincherle Rosselli (1870 – 1954) se definió a si misma como «la primera mujer italiana en componer una obra teatral», sin embargo, este hecho no ha impedido que su obra haya quedado olvidada y haya pasado desapercibida por todos los críticos literarios.

    • José Vicente Romero Rodríguez
    • 2017
  6. 16 de mar. de 2018 · Amelia Pincherle Rosselli's dramatic works evidence a commitment to early feminist principles – a contribution that has been largely neglected by the Italian theatrical canon. Rosselli's plays treat domestic themes such as marriage, family, and the home in order to comment incisively on the political, social, and juridical status ...

  7. Imagine what kind of victim you must be!" (Aldo Rosselli 2,19). Unlike Joe, Amelia was able to view the world with stark honesty. Her letters reveal a woman at times serious and assertive, yet sometimes insecure and uncertain, not without traces of puritanism, inflexibility, and calculating shrewdness.