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Chatou, 1880 - Garches, 1954. André Derain à Chatou 17 juin 1880 ; son père, crémier glacier, est conseiller municipal de la bourgade. Après des études classiques au lycée Chaptal à Paris, il commence à peindre dès 1895, tout en préparant son baccalauréat à l’institut Le Polytechnikum, rue Jacob. En 1898, il fréquente l ...
Chatou, 1880-Garches, 1954. The French painter André Derain was one of the foremost practitioners of Fauvism and one of the most prominent figures of the modern movement. In 1898 Derain abandoned his engineering studies in order to take up painting. He began to attend the Académie Carrière while making sketches at the Musée du Louvre.
A Wikimédia Commons tartalmaz André Derain témájú médiaállományokat. André Derain ( Chatou, 1880. június 10. – Garches, 1954. szeptember 8.) francia festő, szobrász, a 20. századi francia festészet egyik kiemelkedő alakja, a fauvizmus mozgalmának egyik alapítója.
André Derain (, French: [ɑ̃dʁe dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License .
30 de ene. de 2017 · Escrito por: Miguel Calvo Santos. En el verano de 1905 André Derain y Henri Matisse pasaron juntos sus vacaciones en la localidad francesa de Collioure y se pintaron el uno al otro durante días, libres de toda tradición y embriagados por los nuevos descubrimientos que estaban haciendo. Bajo la influencia de Matisse, el pintor más fauvista ...
13 de oct. de 2023 · André Derain traveled to Collioure in early July 1905 at the invitation of Henri Matisse. Brimming with enthusiasm and impetuous energy, Derain painted ambitiously from the start, and by August returned to Paris with thirty finished canvases, almost all port scenes painted in a dazzling array of saturated colors.
André Derain. André Derain was a seminal French painter known for his landscapes, portraits, and still lifes. Alongside Henri Matisse, Derain pioneered the use of pure color relationships to produce vibrant Fauvist works such as London Bridge (1906). “Fauvism was our ordeal by fire—colors became charges of dynamite,” he once explained.
