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  1. Nikolay Punin. Nikolay Nikolayevich Punin (Russian: Никола́й Никола́евич Пу́нин; November 28 [ O.S. December 11] 1888 – August 21, 1953) was a Russian art scholar and writer. He edited several magazines, such as Izobrazitelnoye Iskusstvo among others, and was also co-founder of the Department of Iconography in the State Russian Museum.

    • Irina
    • Anna Arens (1917–?)
    • Scholar, writer
    • Diaries
  2. Download. Nikolay Nikolayevich Punin [Николай Николаевич Пунин; 28 November 1888–21 August 1953) was a Russian art scholar and writer. He edited several periodicals, such as Iskusstvo kommuny, and was also co-founder of the Department of Iconography in the State Russian Museum.

  3. Punin, Nikolai (1888–1953) (1888–1953)Russian art critic. From 1918 to 1921 he was active in the organization of Narkompros and in 1921 he was one of the founders of the Petrograd (St Petersburg) section of Inkhuk. During the 1920s he was one of the most widely read of Russian writers on art.

  4. Full Name: Punin, Nikolay. Gender: male. Date Born: 1888. Date Died: 1953. Place Born: Helsinki, Newland Regin, Finland. Place Died: Abez Camp, near Vorkuta, Komi Republic, Russia. Home Country/ies: Russia. Subject Area(s): art theory and Russian (culture or style) Career(s): art critics. Overview. Critic, theorist, museum official, and ...

  5. hmn.wiki › es › Nikolay_PuninNicolás Punín

    Nikolay Nikolayevich Punin (en ruso: Никола́й Никола́евич Пу́нин ; 28 de noviembre [ OS 11 de diciembre] 1888 - 21 de agosto de 1953) fue un erudito y escritor ruso. Editó varias revistas, como Izobrazitelnoye Iskusstvo entre otras, y también fue cofundador del Departamento de Iconografía del Museo Estatal Ruso .

  6. 1 de nov. de 1999 · 1904-1953. by Nikolay Punin. Edited by Sidney Monas. Contributions by Jennifer Greene Krupala. 323 Pages, 6.00 x 9.00 in. Series: Harry Ransom Humanities Research Center Imprint Series. Sales Date: November 1, 1999. EPUB. 9780292787858 : July 2010.

  7. 5 de jul. de 2010 · Nikolay Punin (1888-1953) was the most articulate Russian/Soviet art critic of the 1920s. He strongly advocated Constructivism, an avant-garde impulse that favored mechanomorphic abstraction...