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  1. Dr. Tukaram Bhaurao Sathe (1 August 1920 – 18 July 1969), popularly known as Anna Bhau Sathe (Marathi pronunciation: [əɳːaːbʱaːu saːʈʰe]), was an Indian folk poet, writer, and social worker from the state of Maharashtra.

    • Novel Writer, Poet, Film Screenwriter
    • Social Reformer
  2. 1 de ago. de 2021 · He feels that social justice cannot come about without a working-class revolution. Annabhau Sathe, a leading light of Marathi literature and art, was born Tukaram on 1 August 1920 at Maangwada (Wategaon village, Valva tehsil) in Sangli, Maharashtra. His father was Bhaurao and his mother, Baluvai.

  3. 13 de sept. de 2022 · Who was activist-author Annabhau Sathe, whose statue Devendra Fadnavis unveiled in Moscow? Annabhau Sathe's work was immensely inspired by the Russian revolution and the Communist ideology. Is there a reason why the statue is being unveiled now?

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  4. 14 de sept. de 2022 · He was influenced by the communist ideology and is often known as the ‘Maxim Gorky of Maharashtra’, having been inspired by the Russian writer-activist’s work, as well as the Russian Revolution. Popularly known as “Lokshahir” Annabhau Sathe, he passed away in 1969.

    • Purva Chitnis
  5. Annabhau Sathe: The Voice of the Untouchables. Anna Bhau, originally named Tukaram, was born in the Sangli district of Maharashtra. He hailed from the untouchable community of Matangs. Society was unkind and downright abusive to the untouchables, forcing them to perform odd and meagre jobs that provided no stable income or future.

  6. 6 de ago. de 2019 · Remembering Annabhau Sathe, The Dalit Writer Who Dealt A Blow To Class and Caste Slavery. On his 99th birth anniversary, a tribute to the writer who died in dire poverty and remains marginalised within mainstream literary circles. By Pardeep Attri. Jul 31, 2019, 10:09 PM EDT. | Updated Aug 5, 2019.

  7. 24 de sept. de 2023 · Annabhau Sathe, as a folk artist and cultural activist, was deeply rooted in the folk traditions of Maharashtra, particularly the Powada genre. He celebrated the cultural heritage of the oppressed, believing that it could serve as a source of pride and resistance against oppression.