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7 de jun. de 2016 · Ardengo Soffici (1879–1964) is a name that appeared on many Avant Garde books, and as a designer, writer and painter, he was something akin to F.T. Marinetti in aspects of influence during the Futurist teens and ’20s. He lived for seven years in Paris writing Symbolist journals and was part of the Cubist circle with Picasso, Braque, Gris ...
BÏF§ZF+18 Simultaneità e Chimismi lirici ( BÏF§ZF+18. Simultaneity and Lyrical Chemistry) is a poetry book and artist's book published in 1915 by the Italian futurist Ardengo Soffici. Despite its rarity, the book has become famous as one of the finest examples of futurist 'words-in-freedom', and has been described as 'absolutely the most ...
primary name:Soffici, Ardengo. Details. individual; painter/draughtsman; author/poet; Italian; Male. Life dates. 1879-1964. Biography. Text from Martin Hopkinson, 'Italian Prints 1875-1975', BMP, 2007Born near Florence at Rignano sull' Arno, Soffici showed a precocious interest in drawing and literature. He attended the Accademia di Belle Arti ...
Ardengo Soffici (Rignano sull’ Arno, 7 april 1879 – Forte dei Marmi, 12 augustus 1964) was een Italiaanse schrijver en schilder. Hij schreef onder andere voor de futuristische tijdschriften La Voce en Lacerba .
En la postguerra, en 1949-1950, Ardengo Soffici se dedica al proyecto de la colección Verzocchi]. Para concluir, hay que recordar las numerosas obras de crítica de arte publicadas hasta los años 50. Pintura. Uno de sus cuadros más conocidos es el óleo Botella blanca y manzana (1919). Enlaces externos. Biografía y bibliografía (en italiano)
28 de jul. de 2016 · Resumen: Ardengo Soffici y su apropiación del arte africano fue mediado por el modernismo francés, y eventualmente articuló una estética pictórica tanto clásica como ‘primitiva.’ Soffici vivió en París de 1900 a 1907, y al volver a Florencia, se dedicó a renovar el arte italiano y promover el modernismo francés.
27 de sept. de 2016 · Indeed, Ardengo Soffici (Rignano sull'Arno, Florence 1879 - Vittoria Apuana, Forte dei Marmi 1964) was a painter, writer, polemicist, and art critic with a direct and incisive tone who focused his research striving to update the Italian figurative painting.
