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Los hermanos Bragaglia consiguieron acercarse a los objetivos futuristas, pero ellos intentaban representar estos estados anímicos mediante la demultiplicacion de los gestos y de los tonos grises que da una fotografía movida.
Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.
Italian, 1893–1962. Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.
To express this new sense of reality, the Bragaglia brothers, Anton Giulio and Arturo, invented photographs that would convey the passage of time in the photograph’s single moment.
Seeking to revitalize painting, Futurist Anton Giulio Bragaglia worked with his brother Arturo Bragaglia, an accomplished photographer, to develop a method of capturing movement they called photodynamism.
Artist: Anton Giulio Bragaglia (Italian, 1890–1960) Date: 1911. Medium: Gelatin silver print. Dimensions: Image: 11.9 x 16.7 cm (4 11/16 x 6 9/16 in.) Sheet: 12.8 x 17.8 cm (5 1/16 x 7 in.) Classification: Photographs. Credit Line: Gilman Collection, Gift of The Howard Gilman Foundation, 2005. Accession Number: 2005.100.244.
The Rome-based theater director, set designer, and cinematographer Anton Giulio Bragaglia was one of those influenced by Marinetti's theories. In his essay "Futurist Photodynamism," written in 1911 and published two years later, Bragaglia extended the concept of dynamism to photography.
