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  1. Movement. The Clique. Elected. Royal Academy of Arts. Augustus Leopold Egg RA (2 May 1816 – 26 March 1863) [1] was a British Victorian artist, and member of The Clique best known for his modern triptych Past and Present (1858), which depicts the breakup of a middle-class Victorian family.

    • 2 May 1816
    • British
    • 26 March 1863 (aged 46)
    • The Clique
  2. Augustus Leopold Egg (Londres, 2 de mayo de 1816 - Argel, 26 de marzo de 1863) fue un artista británico de la época victoriana conocido sobre todo por su tríptico moderno Past and Present («Pasado y presente», 1858), que representa la ruptura de la familia victoriana de clase media.

  3. 13 de mar. de 2024 · Augustus Leopold Egg RA (2 May 1816 – 26 March 1863) was a British Victorian artist, and member of The Clique best known for his modern triptych Past and Present (1858), which depicts the breakup of a middle-class Victorian family.

  4. 30 de abr. de 2024 · Augustus Egg (born May 2, 1816, London, England—died March 26, 1863, Algiers, Algeria) was a genre painter and actor. Egg studied at the Royal Academy, of which he became a member in 1860. He travelled in Italy with Charles Dickens and Wilkie Collins in 1853.

    • The Editors of Encyclopaedia Britannica
  5. 10 de jun. de 2021 · Augustus Leopold Egg era, en palabras del escritor Charles Dickens, un “querido y gentil muchacho” que estaba “siempre de carácter dulce, gracioso, concienzudo, completamente bueno y amado”....

  6. Augustus Leopold Egg RA (2 de mayo de 1816, en Londres - 26 de marzo de 1863, en Argel ) [1] fue un artista victoriano y miembro de The Clique mejor conocido por su tríptico moderno Pasado y presente (1858), que representa la ruptura de una familia victoriana de clase media.

  7. 2 de may. de 2024 · Augustus Leopold Egg (1816–1863) (b London, 2 May 1816; d Algiers, 26 Mar. 1863). English painter. He painted historical, anecdotal, and literary themes (he was a friend of Dickens and a talented actor), and under the influence of the Pre-Raphaelites he also turned to overtly moralizing subjects.