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1 de jun. de 1990 · With Lawrence Held, Bud Thorpe, Alan Mendell, Rick Cluchey. Two seemingly homeless men waiting for someone or something named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness.
- (41)
- Drama
- Samuel Beckett
- 137
Waiting for Godot (/ ˈ ɡ ɒ d oʊ / ⓘ GOD-oh) is a play by Irish playwright Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives.
- Samuel Beckett
- 5 January 1953; 70 years ago
- 1952
- Tragicomedy (play)
Waiting for Godot, tragicomedy in two acts by Irish writer Samuel Beckett, published in 1952 in French as En attendant Godot and first produced in 1953. Waiting for Godot was a true innovation in drama and the Theatre of the Absurd’s first theatrical success.
- The Editors of Encyclopaedia Britannica
In 1985, Beckett directed three of his plays — Waiting for Godot, Krapp’s Last Tape and Endgame — as part of a production called “Beckett Directs Beckett.” The plays performed by the San Quentin Players toured Europe and Asia with much fanfare, and with Beckett exerting directorial control.
Summary. Beckett is coming to Berlin to direct Waiting for Godot. He is no stranger at the Schiller Theater: after Endgame, Krapp's Last Tape, and Happy Days, this is his fourth visit as a director.
- Walter D. Asmus
- 2012
1988 Directed by Samuel Beckett. Two seemingly homeless men waiting for someone or something named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. Cast. Crew. Details. Genres. Releases. Lawrence Held Bud Thorpe Alan Mendell Rick Cluchey Louis Beckett-Cluchey.
14 de nov. de 2023 · By David Finkle. ★★★★☆ Arin Arbus directs scrupulously, Michael Shannon, Paul Sparks act at the top of their forms. Michael Shannon, Paul Sparks in Waiting for Godot. Photo: Gerry Goodstein. Samuel Beckett’s Waiting for Godot (written in 1948 as a “a tragicomedy”) is one of the 20th-century’s most significant plays, if not the most significant.
