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Berkeley Coleridge. Derwent Coleridge. Hartley Coleridge. Samuel Taylor Coleridge (21 October 1772 – 25 July 1834) was an English poet, critic, and philosopher who consumed opium to address his health issues. His use of opium in his home country of England, as well as Sicily and Malta, is extensively documented.
Nature and the Language of the Sense: Berkeley’s Thought in Coleridge and Wordsworth The stated goal in a recent study of George Berkeley’s thought is characteristic of how Berkeley is treated by contemporary scholarship: it aims for ‘a complete logical reconstruction of Berkeley’s argument for idealism’.
- Chris Townsend
Frost at Midnight is a poem by Samuel Taylor Coleridge, written in February 1798. Part of the conversation poems, the poem discusses Coleridge's childhood experience in a negative manner and emphasizes the need to be raised in the countryside. The poem expresses hope that Coleridge's son, Hartley, would be able to experience a ...
examples to demonstrate the purposes and techniques described. By building upon Berkeleian idealist principals but using his own. as a reformative tool, Coleridge models a radical method of meditation in his conversation poems. The key to Coleridges is sound, silence, and conversation as a corrective, balancing.
Samuel Taylor Coleridge is the premier poet-critic of modern English tradition, distinguished for the scope and influence of his thinking about literature as much as for his innovative verse.
24 de jul. de 2016 · Sound, Silence, and Voice in Meditation: Coleridge, Berkeley, and the Conversation Poems. G.S. Morris View all authors and affiliations. Volume 55, Issue 1. https://doi.org/10.1177/014833310505500103. Contents. Get full access to this article. View all access and purchase options for this article. Get Access.
After reconstructing our knowledge of Coleridge’s reading of Berkeley, this chapter argues that Coleridge took from Berkeley the notion of ‘outness’ and a rhetoric of semblance that would animate his poetry and theological prose well after his Kantian turn.
