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Bembo’s earliest published work, the Latin prose De Aetna, 1496, is framed as a conversation in which the younger Bembo recounts to his father, Bernardo, details of his visit to the fiery volcano. There are many allusions to classical texts and legends, and a variety of subjects are addressed: volcanic activity, trees, waters and the soul.
At the beginning of the 20th century, though, it was concluded that he was more probably a humanist who collected classical coins. Various clues point more particularly to Bernardo Bembo (1433-1519), a Venetian humanist and statesman. He had a large collection of coins and came from Italy, which chimes with his attire and attribute.
Infrared images reveal Bernardo Bembo's motto—Virtus et honor or “virtue and honor”—beneath Ginevra's. It is possible, but so far unproven, that he commissioned the portrait of Ginevra. Ginevra de' Benci (c. 1474 - 1478) by Leonardo da Vinci National Gallery of Art, Washington DC
Bernardo Bembo. Of exceptional importance is Bernardo's autograph 'Zibaldone' or notebook, which merits publication, and which should be the basis of any biography of Bernardo.28 There is an illuminated manuscript of the 'Chronicle' of Eusebius, made in I474 by Bartolomeo di Sitn Vito, with Bembo's coat of
Bernardo Bembo (* 19. Oktober 1433; † 28. Mai 1519) war ein prominenter Staatsmann der Republik Venedig und Vater des berühmten Humanisten Pietro Bembo.
8 de mar. de 2013 · Through his father, Bembo was introduced to Italy’s elite at a tender age. Born in 1470, Pietro lived with Bernardo in Florence from 1478 to 1480, and at the age of 15 made the first of several ...
14 de ago. de 2020 · Bernardo was a friend of the Florentine philosophers Marsilio Ficino and Cristoforo Landino, among others (on Bembo’s biography see Dionisotti 1966; Kidwell 2004). From his early youth, Pietro accompanied his father on embassies to Florence, where he became acquainted with the Medici family – especially Lorenzo il Magnifico – as well as with the most influential humanists of the time.
