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7 de ago. de 2010 · Charlie Parker ReboppersMiles Davis (tp)Charlie Parker (as)Dizzy Gillespie (p)Curly Russell (b)Max Roach (ds)26.Nov.1945.WOR Studios, Broadway, NYC,
- 3 min
- 2.4M
- MINICQQPER
«Billie's Bounce» también conocida como «Bill's Bounce», es una canción de jazzz de doce compases en Fa, por Charlie Parker. Considerado un estándar de jazz, fue compuesto en 1945, y está dedicado a la secretaria del representante de Dizzy Gillespie, Billy Shaw (a quien Gillespie dedicaría su estándar «Shaw 'Nuff»). [1]
3 de ago. de 2018 · Provided to YouTube by Universal Music GroupBillie's Bounce (Original) · Charlie ParkerCharlie Parker Memorial, Vol. 2℗ 1991 Savoy Records, a division of Con...
- 3 min
- 60.2K
- Charlie Parker - Topic
"Billie's Bounce" (also known as "Bill's Bounce") is a jazz composition written in 1945 by Charlie Parker in the form of a 12 bar F blues. Some sources claim that the song was dedicated to Dizzy Gillespie's agent, Billy Shaw, although according to Ross Russell, Shaw's "name was misspelled" accidentally.
- Jazz Guitar Pattern 1 – Chromatic Turn
- The F Major Blues Scale
- Jazz Guitar Pattern 2 – Chromatic Approach Notes
- Voice Leading
- Jazz Guitar Pattern 3 – Chromatic Enclosures
A chromatic turn is when you play a note and then approach that same note with its chromatic lower neighbor. This ornamentation adds tension and release to a phrase. Here is an example of this pattern over a ii V I in F major.
The first four bars of Billie’s Bounce use the F major blues scale. On the Bb7 (bars 5 to 7), the minor blues scaleis used. This is something you can use in your solos as well. In the following example, I play the F major blues scale throughout, except on the Bb7 (bars 5 to 7), where I use the F minor blues scale.
Chromatic approach notes are non-diatonic notes that are used to approach a target note, usually a chord tone. They are used to create tension in a phrase, which can then be resolved to a consonant note. Here is an example of chromatic approach notes on a Bb7 arpeggio. The encircled notesare the chord tones of Bb7 and the rest of the notes are chro...
Here, Charlie Parker uses voice leading in a clever way: the (encircled) top notes F – E – Eb – D form a descending F bebop scale.
Chromatic enclosures are a typical jazz technique in which a target note is encircled by its chromatic neighbors. This method adds tension and dissonance to the phrase while also creating a sense of forward motion. There are many variations on the chromatic enclosure. The one we have a look at here starts with a half tone above the target note, goe...
- Dirk Laukens
- 59 s
1 de nov. de 2018 · Provided to YouTube by Universal Music Group Billie's Bounce · Charlie Parker and Miles Davis Birdsong ℗ 2004 Savoy Records, a division of Concord Music Group, Inc. Released on: 2004-01-13 ...
- 3 min
- 17.8K
- Charlie Parker - Topic
«Billie's Bounce» también conocida como «Bill's Bounce», es una canción de jazzz de doce compases en Fa, por Charlie Parker. Considerado un estándar de jazz, fue compuesto en 1945, y está dedicado a la secretaria del representante de Dizzy Gillespie, Billy Shaw .
