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16 de mar. de 2024 · Buck Clayton (solo tp, arr), Paul Quinichette (solo ts), Jim Dahl, Frank Rehak (solo tb), Nat Pierce Orchestra: Skip Reider, Don Stratton, Doug Mettome, Al S...
- 3 min
- 337
- BunkLaplace
20 de feb. de 2024 · Buck Clayton, Emmett Berry – trumpetDicky Wells – tromboneEarle Warren – alto saxophone, clarinetBuddy Tate – tenor saxophoneAl Williams – pianoGene Ramey – ...
- 86 min
- 6.4K
- All That Jazz Don Kaart
28 de oct. de 2021 · In the 1950s, post-Swing Era, Buck Clayton became a solid “mainstreamer,” though he worked with such traditionally-inclined musicians as Pee Wee Russell, Eddie Condon, and Humphrey Lyttelton. Owing to lip problems, he played trumpet only intermittently in the 1970s, stopping altogether in 1979.
Biography. An excellent bandleader and accompanist for many vocalists, including Billie Holiday, Buck Clayton was a valued soloist with Count Basie Orchestra during the ’30s and ’40s, and later was a celebrated studio and jam session player, writer, and arranger. His tart, striking tone and melodic dexterity were his trademark, and Clayton ...
4 de sept. de 2013 · Buck Clayton first rose to national fame as the lead soloist with the first great Count Basie band that roared out of Kansas City in late fall, 1936. Ironically, while Clayton’s understated, bell-like sound is associated with the hard swinging Kansas City style, he actually spent little time in Kansas City. By the time he arrived at the famed ...
31 de oct. de 2021 · Buck Clayton’s Harlem Gentlemen at Sebastian’s Cotton Club, Los Angeles 1935-36: Kid Lips Hackett, Teddy Buckner, Arcima Taylor, Ike Bell, Red Callender, Bert Johnson, Herschel Evans, Allen Durham, Bumps Myers, Frank Pasley, Winslow Allen, Caughey Roberts and Eddie Beal. The book includes a comprehensive and detailed discography.
7 de ene. de 2020 · Clayton Clip D – West Coast 1933-34 – Them There Eyes & What’ll It Be.mp3 Early Years Out West, 1933-34. Buck Clayton’s brief but colorful stay in Los Angeles is often overlooked — perhaps because he made no records. The lively episode was recounted in his entertaining autobiographical memoir, Buck Clayton’s Jazz World (1986).
