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  1. 12 de mar. de 2024 · Dancer and choreographer Merce Cunningham and composer and musician John Cage were already working together when they first came to Black Mountain in 1948 and reconstructed Erik Satie’s The Ruse of the Medusa with collaborators including Buckminster Fuller, Elaine and Willem de Kooning. On their return in 1952 they worked with others ...

    • Cage/Cunningham1
    • Cage/Cunningham2
    • Cage/Cunningham3
    • Cage/Cunningham4
  2. 31 de jul. de 2009 · Composer John Cage was Merce Cunningham's life partner and longtime collaborator. Cage, who died in 1992, was a pioneer of electronic music and compositions involving chance and randomness.

  3. 16 de oct. de 2020 · Oct 15, 2020 - 18:30 EDT. Un documental sobre la figura de Merce Cunningham tenía artísticamente prohibido ser convencional. Bailarín y coreógrafo de vanguardia, aunque esto último no le ...

  4. 20 de nov. de 2023 · Recibiría numerosas críticas por el hecho de componer la danza desde la “indeterminación”. Sin embargo, para Cage y para Cunningham es la forma de expresión más natural y humana posible, la cual se alejaría de la mecanización a la hora de componer y nos acerca a lo más orgánico.

  5. Descripción general El compositor John Cage (1912–1992) y la coreógrafa Merce Cunningham (1919–2009) hicieron contribuciones fundamentales a la vida artística e intelectual del siglo XX. Cage y Cunningham: azar, tiempo y concepto en las artes visuales explora la influencia de estos grandes artistas en sus contemporáneos y…

  6. Merce Cunningham, Elliot Caplan1991, 95:55 min, color and b&w, soundThis is a feature film traces the history of the collaboration of choreographer Merce Cun...

    • 59 s
    • 3.9K
    • Merce Cunningham Trust
  7. 16 de abr. de 2019 · Born in Centralia, Washington, in 1919, Cunningham’s talent and powerful leaps saw him join the Martha Graham Dance Company at the age of 20 before going on to work on his own terms. Later he met who would become his partner, John Cage, who was arguably the most important chess piece in Cunningham’s life and work.