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Charles Cressent fue un ebanista escultor francés, nacido el año 1685 en Amiens y fallecido el año 1768. Fue uno de los principales exponentes del mobiliario barroco junto a André-Charles Boulle, Antoine Gaudreaux, Pierre Migeon y Jean-François Oeben .
- François Cressent
Charles Cressent (1685 – 1768) was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style. As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of Amiens, who also became a sculptor, he inherited tastes, skills and aptitudes which contributed to his ...
Charles Cressent was a French cabinetmaker, whose works are among the most renowned pieces of French furniture ever made. Grandson of a cabinetmaker of the same name and son of the sculptor François Cressent, Charles practiced both arts, becoming a brilliant metalworker as well.
- The Editors of Encyclopaedia Britannica
18 de ene. de 2024 · Charles Cressent, a leading ébéniste and sculptor of the late Régence and early Rococo periods, became a master sculptor in 1719. He worked as both ébéniste and sculptor to the Regent, Philippe II, duc d'Orléans. His furniture was often decorated with plain veneers, usually of satinwood and amaranth, or veneers in patterns of ...
Charles Cressent French. ca. 1745–49. On view at The Met Fifth Avenue in Gallery 539. One of a group of six known commodes of this model, it shows the cabinetmaker (ébéniste) Charles Cressent’s highly individual and very sculptural manner.
Charles Cressent est un sculpteur et ébéniste français, né à Amiens le 16 décembre 1685 et mort à Paris le 10 janvier 1768 1 . Il est l'un des principaux représentants du style Régence . Biographie. Famille et formation. Charles Cressent est né à Amiens le 16 décembre 1685 2.
Charles Cressent fue un ebanista escultor francés, nacido el año 1685 en Amiens y fallecido el año 1768. Fue uno de los principales exponentes del mobiliario barroco junto a André-Charles Boulle, Antoine Gaudreaux, Pierre Migeon y Jean-François Oeben.
