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  1. Charles Francis Annesley Voysey ( 1857 - 1941 ), fue un arquitecto y diseñador de mobiliario inglés, miembro del movimiento Arts & Crafts, fue uno de los primeros artistas que entendió y apreció el significado del diseño industrial. Es particularmente destacado por sus diseños de casas rurales en Inglaterra (cottages) en la que se aprecia ...

  2. Charles Francis Annesley Voysey. Our beautiful wallpapers & fabrics are made in England, in a centuries old mill. Pretrimmed and easy to install, our luxurious wallpapers are authentic restorations of the original C.F.A. Voysey watercolors of the early 20th Century. Shop Wallpapers. Our beautiful wallpapers are a great resource for heritage ...

  3. 28/03/2012 · Charles Francis Annesley Voysey (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer. Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the ...

  4. 14/11/2021 · Charles Francis Annesley Voysey, (born May 28, 1857, Hessle, Yorkshire, England—died February 12, 1941, Winchester, Hampshire), British architect and designer whose work was influential in Europe between 1890 and 1910 and was a source of Art Nouveau inspiration. Voysey was the son of Charles Voysey, founder of the Theistic Church.

    • Education
    • Design
    • Architectural Work
    • Legacy

    Born at Kingston College, at Hessle, Yorkshire on 28 May 1857, he was the eldest son of Rev. Charles Voysey, a Church of England priest who was deprived of his living in 1871 for his heterodox views. The family moved to London where his father founded the Theistic Church. Voysey was educated by his father, then briefly at Dulwich College. In 1874 Voysey was articled for five years to the architect J. P. Seddon, with whom he subsequently remained a further year as chief assistant. From Seddon Voysey learnt the 'Gothic' principles of design first propounded by A. W. N. Pugin: elevations should grow naturally out of the requirements of the plan and only ‘honest’ construction should be used. Seddon and Voysey both believed in following these principles of design without slavishly copying Gothic styles. But, however freely Seddon interpreted the Gothic styles, his work remained discernibly Gothic, whereas Voysey’s mature work eliminated all trace of period styles. Voysey followed Seddon...

    Voysey's designs in the field of applied art included furniture, wallpapers, fabrics, carpets, tiles, metalwork, ceramics and graphic design. Sometimes he designed artefacts specially for his own buildings, and sometimes he sold designs to manufacturers for wider use. Voysey's development as a furniture designer corresponded to his development as an architect, and by c.1895 he had evolved a definitive personal style. His furniture conformed, with a few exceptions, to this style until 1910, when he began to introduce greater elaboration, including Gothic motifs, into his designs. The simple elegance of Voysey's furniture from the period 1895–1910 was achieved by relying on the innate beauty of high quality materials, especially unpolished oak, and by eschewing complicated decoration in favour of a careful balance of the vertical and horizontal elements in a design. The vertical elements were often emphasised by tapering the vertical supports from a square to an octagonal section and...

    Voysey's first design was for a house at Loughton for Octavius Dixie Deacon. A house was erected on the site, but whether it bore any relation to Voysey's design is not known. By 1894 Voysey had moved his practice to Melina Place, St John's Wood, London, next door to the influential Arts and Crafts architect Edward Schroeder Prior, resulting in the development of a long term friendship and exchange of ideas between the two men. Voysey's architectural practice began slowly, with small alterations and surveys; a number of unexecuted designs from these early years were published and reveal the influence of both Seddon and Devey. In 1888 he obtained his first architectural commission, for The Cottage (addition by Voysey, 1900) at Bishop's Itchington, Warwicks. The Cottage was built of thin, buttressed brickwork, roughcast and painted cream. This form of construction was chosen by Voysey because it was cheap, but in his hands it became an aesthetic end in itself, as he skilfully juxtapos...

    Voysey was influenced by the work of William Morris, the Arts and Crafts Movement and Art Nouveau, and was concerned with form and function rather than ornamental complexities. He felt that "simplicity in decoration is one of the essential qualities without which no true richness is possible" and often worked in a limited colour palette, "emphasizing outline, eliminating shading, and minimizing detail." His furniture designs were simple and functional, and only sparingly decorated. He particularly advocated that wood should be left with its natural finish, contrary to the popular techniques which covered wood with paint and stain. He eschewed the complexities identified with late Victorian design. Many modest houses built in Britain in the 1920s and 1930s were inspired by Voysey's simple vernacular country houses, although Voysey himself built no houses after 1918. The Victoria and Albert Museum has an extensive collection of Voysey's work, including design drawings, fabrics, carpet...

    • May 28, 1857
    • Terry Jackson (Switzer)
  5. archxde.com › voysey-charles-francis-annesleyC. F. A. Voysey - ArchXDe

    Biografía. Después de adquirir experiencia en los estudios londinenses de J. P. Seddon y George Devey respectivamente, en 1882 Charles Francis Annesley Voysey (1857-1941) fundó su propia oficina. Aunque estaba muy influido por el movimiento Arts and Crafts, siguió un estilo propio menos orientado al pasado y más funcional que ornamental.

    • Hombre
    • January 1, 1970
    • Ingles
  6. Purple Bird, c. 1899 Charles Francis Annesley Voysey; One of a Pair of Andirons, c. 1900 Charles Francis Annesley Voysey; Curtain Panel, c. 1910 Gavin Morton

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