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Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Cockerell's travelsin the eastern Mediterranean between 1810 and 1817 were the formative experience of his life.
Other articles where Charles Robert Cockerell is discussed: Ashmolean Museum: …in the Neoclassical style by C.R. Cockerell and erected between 1841 and 1845. It houses the collection of art and archaeology, while the old Thomas Wood building has become the History of Science Museum.
After: Charles Robert Cockerell Drawn by: William Harris | Production date 1822 . architectural drawing. Museum number 2012,5001.631 ...
17 de nov. de 2021 · Charles Robert Cockerell was a major early Victorian English architect and archaeologist. He began his architectural training at age 16 and went on to work as an assistant to Robert Smirke on the rebuilding of Covent Garden Theatre before embarking on a Grand Tour of Europe. On returning, he established his own architectural practice in 1817.
5 de mar. de 2024 · C.R. Cockerell RA (1788 - 1863) Charles Robert Cockerell was born in London, the third of eleven children of the surveyor and architect Samuel Pepys Cockerell (1753-1827) and his wife Anne, nee Whetham. After attending Westminster School, he trained as an architect under his father before moving to work with the architect Robert Smirke.
21 de mar. de 2019 · Since the nineteenth century, travel literature has continued to attract the attention of both scholars and the general public. This book offers the first complete edition of the letters written by Charles Robert Cockerell (1788–1865) – one of the lucky discoverers of the Aegina and Bassae sculptures and the future architect of the Ashmolean Museum – during his travels in the ...
27 de jun. de 2018 · Cockerell, Charles Robert (1788–1863). One of the most gifted and scholarly architects working in England within the Classical tradition in C19, his work was at once bold yet fastidious, thoroughly based on archaeologically proven precedents yet free from dull pedantry, and full of refinements yet achieving a noble monumentality.
