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Barry Harris - Blue Note Records. Biography. One of the major bop pianists of the last half of the 20th century, Barry Harris has long had the ability to sound very close to Bud Powell, yet he can also do convincing impressions of Thelonious Monk and has his own style within the bop idiom.
Europe. 2003. View credits, reviews, tracks and shop for the 2003 CD release of "The Classic Blue Note Recordings" on Discogs.
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- US
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- 2 x CD, Compilation, Club Edition
- Don Cherry – Complete Communion
- Duke Pearson – Wahoo
- Sidney Bechet – Jazz Classics Vol.1 & 2
- Donald Byrd – Black Byrd
- Horace Silver – Cape Verdean Blues
- Robert Glasper Experiment – Black Radio
- Freddie Hubbard – Hub Tones
- Bobby Hutcherson – Dialogue
- Cassandra Wilson – Blue Light ’til Dawn
- Kenny Dorham – Round Midnight at The Café Bohemia
Oklahoma-born trumpeter Cherry was 29 when he recorded this groundbreaking album, the first of three long-players for Blue Note. Having appeared in the late 50s and early 60s on significant envelope-pushing LPs by jazz iconoclasts Ornette Coltrane, John Coltrane, and Albert Ayler, Cherry presented his unique personal musical manifesto on Complete C...
Atlanta-born Pearson – a talented multi-instrumentalist who was also a gifted composer, arranger, and producer – recorded a dozen albums for Blue Note between 1958 and 1970 but Wahoo! is generally considered the pinnacle of his work for the label. Leading from the piano, Pearson is accompanied by a stellar three-horn frontline – Donald Byrd, Joe He...
One of jazz’s first significant saxophone soloists, New Orleans-born Bechet was 42 when he recorded for Blue Note in 1939, the label’s inaugural year. His 78-rpm single, “Summertime” – a beautifully rhapsodic soprano sax-led version of the Gershwin brothers’ tune – brought Blue Note notoriety and helped to establish the company on the jazz map. It ...
One of hard bop’s principal trumpet stars in the late 1950s, Detroit-born Byrd – who led a parallel academic career as a music professor – radically changed musical direction in the late 1960s. Following Miles Davis’ lead on Bitches Brew in 1970, Byrd plugged his music into the mains socket. After a couple of experimental electric albums, he teamed...
One of hard bop’s chief architects, Connecticut-born pianist-composer Horace Silverwas also a co-founder member of The Jazz Messengers and helped to establish the two-horn frontline (trumpet and saxophone) as the norm in small-group jazz. Silver’s family originated in Cape Verde, a Portuguese-speaking island off north-west Africa, and this, his 13t...
Texas-born Glasper, a rising post-bop piano star influenced by Herbie Hancock, had been with Blue Note seven years when he released the game-changing, genre-blurring Black Radio. Melding jazz with hip-hop, funk, and R&B, Glasper utilized an array of guest contributors to bring his audacious sonic vision to life, including Erykah Badu, Lalah Hathawa...
Indianapolis-bred Hubbard set the New York jazz scene on fire with his virtuosic trumpet playing when he moved there aged 20 in 1958. Recorded four years later, Hub-Tones was Hubbard’s fifth Blue Note album. It found him in the company of a quintet that included pianist Herbie Hancock – who was still riding high from the success of his debut platte...
In a long and fertile first stint with Blue Note that spanned the years 1963-1977, vibraphonist Bobby Hutcherson recorded 22 albums in a range of different styles. His debut release for Alfred Lion’s label was this adventurous post-bop outing featuring a sextet comprising trumpeter Freddie Hubbard, multi-reed player Sam Rivers, pianist Andrew Hill,...
A smoky-voiced chanteuse from Jackson, Mississippi, Wilson already had eight albums under her belt when she cut this striking debut for Blue Note. Thanks to Craig Street’s sympathetic, uncluttered and ultra-organic production values, Wilson’s voice shines luminously on an eclectic selection of material drawn from the blues, rock, jazz, folk, and R&...
A bebop trumpeter from Texas, Dorham played with Charlie Parker and an early incarnation of The Jazz Messengers before establishing a notable solo career. Considered one of the best live jazz albums ever, Round Midnight at the Café Bohemiawas recorded in 1956 in a small New York nightclub. Dorham is backed by a sextet that includes guitarist Kenny ...
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Blue Note: DD5-80658. Buy download online. Dexter Gordon (tenor saxophone), Sonny Clark (piano), Butch Warren (double bass), Billy Higgins (drums), Freddie Hubbard (trumpet), Barry Harris (piano), Bob Cranshaw (double bass), Niels-Henning Ørsted Pedersen (bass), Donald Byrd (trumpet), Kenny Drew (piano), Art Taylor (drums), Pierre Michelot...
23 de jul. de 2018 · July 23, 2018. The following ten albums represent the very best of what made Blue Note the premier jazz label during the golden age of jazz music (a period running roughly 1956 to 1968). They showcase the finest jazz music and artists that emerged during a time when jazz music was at it's commercial and creative peak.
18 de nov. de 2023 · Discover Jazz. last updated November 18, 2023. Jazz Music. Perhaps the most iconic jazz label in history, Blue Note Records has been responsible for many of the most famous jazz albums of all time . For this article, we’ve highlighted 10 of the most iconic and best-loved Blue Note albums from jazz history.
7 de jul. de 2021 · The series, comprising many of Blue Note’s most enduring titles, was newly remastered directly from the original master tapes by Kevin Gray of Cohearent Audio with all-analog 180-gram vinyl pressings done at Optimal in Germany. The Classic Vinyl Reissue series runs parallel to the acclaimed Tone Poet Audiophile Vinyl Reissue Series.
