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  1. Darejan Dadiani (en georgiano: დარეჯანი ), también conocida como Daria (georgiano: დარია ; en ruso: Дарья Георгиевна, romanizado : Darya Georgyevna) (20 de julio de 1738 - 8 de noviembre de 1807), fue reina consorte de Kajetia, y más tarde Kartli-Kajetia en el este de Georgia, como la tercera esposa del rey Erekle II (también conocido como Herac...

  2. Darejan Dadiani (Georgian: დარეჯანი), also known as Daria (Georgian: დარია; Russian: Дарья Георгиевна, romanized: Darya Georgyevna) (20 July 1738 – 8 November 1807), was Queen Consort of Kakheti, and later Kartli-Kakheti in Eastern Georgia, as the third wife of King Erekle II (also known as ...

  3. 22 de abr. de 2024 · Darejan Dadiani (Georgian: დარეჯანი), also known as Daria (დარია; Russian: Дарья Георгиевна, Darya Georgyevna) (20 July 1738 – 8 November 1807), was Queen Consort of Kakheti, and later Kartli-Kakheti in Eastern Georgia, as the third wife of King Erekle II (also known as Heraclius II).

    • July 29, 1734
    • November 8, 1807
  4. Darejan ( Georgian: დარეჯანი) or Nestan-Darejan (ნესტან-დარეჯანი) (c. 1615 – 1668) was a daughter of King Teimuraz I, a ruler of Kakheti in eastern Georgia, with a notable role in the contemporary politics of Georgia. Her three marriages represented a component of her family's and her own ...

  5. Darejan Dadiani (Georgian: დარეჯანი), also known as Daria (Georgian: დარია; Russian: Дарья Георгиевна, romanized: Darya Georgyevna) (20 July 1738 – 8 November 1807), was Queen Consort of Kakheti, and later Kartli-Kakheti in Eastern Georgia, as the third wife of King Erekle II (also known as Heraclius II).

  6. Darejan Dadiani , also known as Daria , was Queen Consort of Kakheti, and later Kartli-Kakheti in Eastern Georgia, as the third wife of King Erekle II . She was a daughter of Katsia-Giorgi Dadiani, a member of the princely house of Mingrelia.

  7. A portrait of Darejan Dadiani (second half of the 18th century, i.e., 1750-1800) in Amiranashvili museum of Fine Art (Georgian National Museum) shows Darejan Dadiani wearing just such a cross, probably as a way of emphasising nationality and lineage [information about this portrait and the Dadiani family, provided by Dr Nino Simonischwili].