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  1. 24 de abr. de 2013 · 10. “Toledo” — Avishai Cohen. At Home, Avishai Cohen’s sixth recording as a leader, features eleven profoundly beautiful compositions performed by his trio of Sam Barsh on piano and Mark Guiliana on drums, joined by special guests Yosvany Terry, (saxophones, chekere), Anne Drummond (flute), Diego Urcola (flugelhorn), Jeff Ballard (drums ...

  2. Personnel: Avishai Cohen (trumpet), John Sullivan (bass), Jeff Ballard (drums). Guest: Joel Frahm (tenor sax on #4,5 & 7) Recorded in New York City, on November 25, 2001. Mixed by Fab at Pure Mix, New York City, May 12-13, 2002. Mastered at Jon Gordon Music, New York City, September 18, 2002. Liner notes by Dave Liebman. Produced by Avishai Cohen.

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  4. avishaicohen.com › album › irokoIroko | Avishai Cohen

    24 de mar. de 2023 · 0:30. Iroko launches Avishai Cohen’s longtime dream “to do a Latin project with his favourite Latin musicians in New York. ”The Israel-based bassist-singer and master conguero-vocalist Abraham Rodriguez Jr.brimwith tunefulness, grooves, warmth, indelible melodies and the bonds of brotherhood to summon Yoruba gods.

  5. Chick Corea ) Avishai Cohen, a Kiev , 29 novembre 2007 Avishai Cohen , in ebraico אבישי כהן ‎ ? (Kabri , 20 aprile 1970), è un contrabbassista , compositore , cantante e bassista jazz israeliano . È noto soprattutto per aver collaborato, dal 1996 al 2003 , con Chick Corea , oltre che per l'intensa attività del suo Avishai Cohen trio . Spesso viene confuso con l' omonimo Avishai ...

  6. avishaicohen.com › album › lylaLyla | Avishai Cohen

    24 de abr. de 2013 · On September 9, 2003, Avishai Cohen’s new record label Razdaz Recordz released its debut recording, Avishai’s brilliantly conceived and beautifully diverse new recording, Lyla.

  7. 24 de abr. de 2013 · 9. “Smash” — Avishai Cohen. 10. “Continuo” — Avishai Cohen. Continuo (the follow up to the critically acclaimed At Home) displays the magic of a working band. Cohen says, ‘I’m very grateful to have two young masters (pianist Sam Barsh and drummer Mark Guiliana) of their instruments with me to convey that they are, on one hand ...