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  1. Desire Road: 1997: Impacts/Merrell and the Exiles: Desert Island Treasures: 1997: Jimmy and Johnny: If You Don't, Sombody Else Will: 1997: Wanda Jackson: Tears Will Be The Chaser for Your Wine: 1997: Dale Hawkins: Daredevil: 1996: Various Artists: Rockin' At Town Hall: 1996: Rake & The Surftones: Surfers Drive Woodies: 1996: Gillian Welch ...

  2. James Burton (n. el 21 de agosto de 1939, en Minden, Luisiana, Estados Unidos) [1] es un guitarrista estadounidense, pionero en el uso de la guitarra eléctrica en el rock and roll y acompañante de numerosos cantantes y grupos de este género desde 1957, incluyendo a Ricky Nelson, Elvis Presley, Jerry Lee Lewis, The Everly Brothers, The Beach ...

    • Estadounidense
    • Músico
    • 1949 – actualidad
  3. 18 de mar. de 2024 · Elvis Presley is in both the Country Music Hall of Fame, and the Rock and Roll Hall of Fame. Now his legendary guitar player can boast the same. Revealed on Monday, March 18th, guitarist James Burton is the newest instrumentalist to be inducted into the Country Hall of Fame in Nashville.

  4. en.wikipedia.org › wiki › James_BurtonJames Burton - Wikipedia

    James Edward Burton (born August 21, 1939, in Dubberly, Louisiana) is an American guitarist. A member of the Rock and Roll Hall of Fame since 2001 [2] (his induction speech was given by longtime fan Keith Richards ), Burton has also been recognized by the Rockabilly Hall of Fame and the Musicians Hall of Fame and Museum .

  5. View credits, reviews, tracks and shop for the 1997 CD release of "Desire Road" on Discogs.

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  6. He released four studio albums (1994's Dreams & Saturday Nights, 1997's Desire Road, 2011's The Lost Kerosene Tapes, 1999 and 2013's The Year We Tried to Kill the Pain) and has charted two singles on the Billboard country music charts, as well as a third on the RPM Country Tracks chart in Canada.

  7. By Art Thompson | January 2006 for Guitar Player Magazine. Few sidemen can claim to have played as big a role in the modern guitar story as James Burton. As a teenager in the 1950s, he coined the classic Telecaster sound and string-bending techniques that would become essential elements of early ’60s honky-tonk-a.k.a. the “Bakersfield sound