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The Dudley Moore Trio [1969] by Dudley Moore released in 1969. Find album reviews, track lists, credits, awards and more at AllMusic.
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20 de abr. de 2021 · Tracks:1 My Blue Heaven 00:002 Exactly Like You 05:383 The More I See You 10:134 Robyn's Blues 17:455 You'd Be So Nice To Come Home To 24:386 Blues For...
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Barcode: 10370 03206. View credits, reviews, tracks and shop for the 2012 CD release of "Dudley Down Under Unabridged" on Discogs.
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8 de abr. de 2022 · The Dudley Moore Trio is a 1969 jazz album and the fifth LP recorded by the British jazz trio led by musician, composer, actor and comedian Dudley Moore. It was released in 1969 on...
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- Dudley Moore Trio: Bedazzled
- Dudley Moore Trio: Theme from Not only … But Also
- Dudley Moore Trio: Duddly Dell
- Dudley Moore Trio: My Blue Heaven
- Dudley Moore Trio: The Look of Love
- Dudley Moore Trio with Marion Montgomery: Close Your Eyes
- Dudley Moore Trio: Just in Time
- Peter Cook and Dudley Moore: The LS Bumble Bee
- Dudley Moore Trio: Amalgam
- Dudley Moore Trio: Song For Suzy
Dudley Moore’s best-known song is the recurring theme from the 1967 movie Bedazzled. It was most memorably delivered by a fictional psych-rock band called Drimble Wedge and the Vegetations, with Peter Cook deadpanning the lyrics (“I’m not available / You fill me with inertia”). It has since been covered by everyone from Tony Hatch to Nick Cave. Moo...
Not Only … But Also, the hugely popular TV sketch show that Moore hosted with ook between 1964 and 1970, was infamously subjected to a Taliban-like degree of cultural vandalism by the BBC, which scrubbed nearly all episodes of the show in the early 70s. Sadly, Decca and Atlantic haven’t been much more attentive with the albums and singles that the ...
Another victim of Decca Records’ neglect, Duddly Dell is now only available on the net in the form of this rather scratchy 45rpm pressing (although it was included as a bonus track on Cherry Red’s CD issue of Moore’s 1962 debut album last year). Best known nowadays as the theme tune to Radio 4’s Quote Unquote, this quirky two-minute track was produ...
This 1928 Donaldson and Whiting standard is probably best known for the 1956 Fats Domino version, but it’s been recorded over the years by everyone from Sinatra to Doris Day to the Smashing Pumpkins. It was also a Moore favourite, the opening track on his 1965 album and a song he regularly performed live. It’s a fine showcase for his idiosyncratic ...
Moore’s most famous role is, of course, as the aristocratic drunk in the movie Arthur, where he slurs, drawls and stumbles his way through a script with perfect comic timing. His piano playing often has a similar quality. The challenge faced by any jazz pianist is to make his or her instrument – with its 12 evenly tempered notes – bend or slur, in ...
As a teenager, Moore played the organ and led the choir in his local church in Dagenham, Essex, and he’d often use his voice in trio performances. Here he accompanies Marion Montgomery – the smoky-voiced, Mississippi-born, UK-based jazz singer with a more than passing resemblance to Scarlett Johansson – on a swinging version of the old Bernice Petk...
Moore’s long-time drummer Chris Karan remembers how Dudley was obsessed with the pianist Oscar Peterson, painstakingly transcribing Peterson’s entire solo on Falling in Love With Love (“the score was virtually all black by the time he’d scribbled in every note,” said Karan). This performance of the Adolph Green/Betty Comden/Julie Styne standard Jus...
This started out as a sketch on a Christmas 1966 edition of Not Only… But Also which featured John Lennon (making his third appearance on the show) and was released as a single in January 1967. In a 1981 interview, Moore says that he was poking fun at the media furore about LSD, particularly Lennon’s Lucy In The Sky With Diamonds (although the Beat...
Moore’s self-titled 1969 album was his first set of entirely original material, with bassist Jeff Clyne replacing Moore’s long-time sidekick Pete McGurk (who tragically killed himself the previous year). This sprightly, morning-fresh piece of continental minimalism – reminiscent of 21st century sampladelic acts such as Koop – has been slowed down a...
By 1970, many jazz musicians – in fear of being rendered irrelevant by rock music’s onward march – started to grow their hair, wear bell-bottoms and experiment with the textures of rock. Moore was not immune to this, trying out electric keyboards, getting his bass players to switch from upright to electric, and playing with rock beats. Song for Suz...
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1973 — UK. Vinyl —. LP, Album, Reissue. View credits, reviews, tracks and shop for the 1965 Vinyl release of "The Other Side Of Dudley Moore" on Discogs.
Tracklist. Credits. Bass – Peter Morgan. Drums – Chris Karan. Piano – Dudley Moore. Notes. Live performance. Other Versions (1) View All. View credits, reviews, tracks and shop for the 2004 CD release of "Jazz Jubilee" on Discogs.
