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3 de may. de 2024 · Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review , 105(3) pp. 832–834. Request a copy from the author This file is not available for public download
Hace 1 día · “Amoretti XXX: My Love is like to ice, and I to fire” first appeared in 1594 in Edmund Spenser’s sonnet sequence, Amoretti.The poem is celebrated for its exploration of love’s paradoxical nature through a conceit – an extended metaphor – that compares the speaker’s burning passion to his beloved’s icy coldness.
Hace 5 días · Edmund Spenser’s celebrated View of the Present State of Ireland is one product of the loss of the Munster plantation, a loss that Spenser experienced at first hand. And in 1599 a rebellion by the Earl of Tyrone resulted in the death of the English Marshal of Ireland, Sir Henry Bagenal, and the deaths of several thousand of his soldiers.
Hace 4 días · Edmund Spenser World Bibliography. The largest on-line source of bibliographic information on Spenser. For the years that it now covers (1974-2009), it claims to includ 30% more items than the MLA International Bibliography. But it hasn't been updated past 2009.
Hace 5 días · The poet Edmund Spenser may consider the beauty of celestial beings to be beyond human expression, but for choral singers the world over, Harris’ Faire is the Heaven (a setting of this poetry) comes extraordinarily close, and Bairstow’s depiction of these same denizens in Let all mortal flesh keep silence is not far behind.
26 de abr. de 2024 · Four Hymns by Edmund Spenser.Read in English by Thomas A. CopelandSpenser explains in the dedication of this volume that the hymns to love and to beauty were...
- 70 min
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- Audiobook Library
13 de abr. de 2024 · In the following essay I argue, via the speculations of Frank Kermode on the working of a third temporal order, the aevum, in the poetry of Edmund Spenser, and my own reflections on Ed Roberson, that “deep time” is a fundamentally human concept; indeed, I argue that it is stamped with the very forms of our fictions.
