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  1. Title: The Love Song. Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham) Date: 1868–77. Medium: Oil on canvas. Dimensions: 45 x 61 3/8 in. (114.3 x 155.9 cm) Classification: Paintings. Credit Line: The Alfred N. Punnett Endowment Fund, 1947. Accession Number: 47.26. The Met's celebrated European Paintings collection ...

  2. 4 de feb. de 2019 · His subjects have been described as ‘narcotised beauties’ and he painted his mistresses as Renaissance nymphs: but Edward Burne-Jones was a modernist, argues Cameron Laux.

  3. Edward Burne-Jones: Victorian Artist-Dreamer Wildman, Stephen, and John Christian, with essays by Alan Crawford, and Laurence des Cars (1998) This title is out of print.

  4. 14 de dic. de 2018 · Joanna Kaszubowska 14 December 20188 min Read. Tate Britain’s exhibition of over 150 works of Edward Burne-Jones brings us an exhaustive overview of his oeuvre. Like other Pre-Raphaelites Burne-Jones rejected the mechanisation of the Victorian era, turning to and cherishing the idealistic vision of the past. He initially wanted to be a church ...

  5. 23 de sept. de 2020 · Biography. Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 1833 – 17 June, 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts.

  6. Hace 2 días · Edward Burne-Jones (1833–1898) (b Birmingham, 28 Aug. 1833; d London, 16/17 June 1898). English painter, illustrator, and designer, a key figure in the second phase of Pre-Raphaelitism. In 1853 he began studying at Oxford University, intending to train for the priesthood, but his interest was turned to art first by William Morris, his fellow ...

  7. www.tate.org.uk › whats-on › tate-britainEdward Burne-Jones | Tate

    29 de mar. de 2023 · Edward Burne-Jones (1833–1898) was one of the key figures in Victorian art, achieving world-wide fame and recognition during his lifetime. As the last major figure associated with the Pre-Raphaelites , he led the movement into new symbolist directions where the expression of a mood or idea replaced the earlier focus on providing a realistic description of the natural world.

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