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El Lissitzky worked on the journal "The USSR in Architecture", for which Lissitzky and his wife, Sophie Lissitzky-Küppers, designed a great many issues. Lissitzky was a Russian avant-garde artist who did not limit himself to developing a form of abstract painting but rather extended the new functionalism to photography, book design, architecture and urban planning.
El Lissitzky. El Lissitzky was one of the foremost practitioners of Russian abstraction. He was steered to abstract art by the influence of Malevich’s Suprematist ideas, which he soon abandoned as he found them excessively mystic. He was raised in Vitebsk, in an environment deeply marked by the Jewish religion.
Proun 1 C, del Museo Thyssen-Bornemisza, fue una de las primeras composiciones de la serie. En su comentario de esta pintura, John Bowlt y Nicoletta Misler publican una fotografía de El Lissitzky en su estudio de Vitebsk en 1919, en la que aparece colgada esta obra junto a otros Proun, lo que demuestra que fue pintada en esta pequeña ...
El Lissitzky was one of the most highly regarded artists in Europe in his day. Trained in architecture in Germany, and book illustration and painting in Russia (the latter under Suprematist leader Kazimir Malevich), Lissitzky had expertise across several disciplines. He was a participant in the International Constructivist Congress in 1922, a ...
El Lissitzky. Globetrotter (In Time), plate five from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: “Victory over the Sun”, 1920–21, published 1923. El Lissitzky. SSSR stroit sotsializm = UssR baut den Sozialismus = Urss construit lr socialisme (USSR Builds the Socialism), 1933. El Lissitzky.
Summary of El Lissitzky. Russian avant-garde artist El Lissitzky, made a career of utilizing art for social change. In fact, he made the very first abstract work with a political message. Although often highly abstract and theoretical, Lissitzky's work was able speak to the prevailing political discourse of his native Russia, and then the ...
7 de mar. de 2017 · El Lissitzky compuso este cartel de formas geométricas, planos superpuestos y la típica paleta suprematista (negro, blanco, rojo), dividiendo la obra por la mitad con una potente diagonal. En el lado derecho, un triángulo rojo invade el círculo blanco con su arista afilada, y hasta se rompe su punta, saliendo volando varias esquirlas rojas.
