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  1. 9 de sept. de 2002 · The Birthday Song Intro. Players: Joshua Redman (keyboards, saxophones), Sam Yahel (keyboards), Brian Blade (drums) Elastic. New sound, old spirit might be the best way to distill the impact of Joshua Redman's new Warner Brothers disc Elastic.

  2. The album is positioned as the Redman's first full-length record with electric instruments—after eight acoustic albums. Also, Elastic follows the self-titled CD by Yaya 3, which features the same lineup: Redman with keyboardist Sam Yahel and drummer Brian Blade.

    • March 2002
    • Jazz
    • September 10, 2002
    • Joshua Redman, Matt Pierson, Sam Yahel, James Farber
  3. en.wikipedia.org › wiki › Sam_YahelSam Yahel - Wikipedia

    Musician. Instrument (s) Piano, organ. Years active. 1990s–present. Website. samyahel .com. Sam Yahel (born 1971) is a jazz pianist and Hammond organist. In 1990 he moved to New York City and worked with Bill Frisell, Wycliffe Gordon, Ryan Kisor, Maceo Parker, Madeleine Peyroux, and Joshua Redman.

  4. El álbum se posiciona como el primer disco de larga duración de Redman con instrumentos eléctricos, después de ocho álbumes acústicos. Además, Elastic sigue al CD homónimo de Yaya 3, que presenta la misma formación: Redman con el teclista Sam Yahel

  5. 22 de may. de 2005 · Redman and keyboardist Sam Yahel, who makes up the core of the Elastic Band along with alternating drummers Brian Blade and Jeff Ballard, know that it's possible to make funky, groove-centric music that doesn't fall anywhere close to the area of smooth jazz.

    • John Kelman
  6. Reception. Matt Collar of Allmusic wrote "Once again featuring the expansive keyboard talents of Sam Yahel, saxophonist Joshua Redman's Momentum features more of the '70s-influenced jazz the former "young lion" experimented with on 2002's Elastic. Bringing to mind works by such iconic artists as Miles Davis, Herbie Hancock, and ...

  7. Going for a more relaxed atmosphere, a ballad mood sends 'Can a Good Thing Last Forever?' on its way via Yahel on piano and Redman on tenor, yet both men plug in further down the line, the saxophonist's electronics injected sparingly and with much finesse.