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  1. en.wikipedia.org › wiki › Eric_GillEric Gill - Wikipedia

    Eric Gill. For the footballer, see Eric Gill (footballer). Arthur Eric Rowton Gill ARA RDI ( / ɡɪl /; 22 February 1882 – 17 November 1940) was an English sculptor, typeface designer, and printmaker, who was associated with the Arts and Crafts movement. His religious views and subject matter contrast with his sexual crimes, including (as ...

    • Arthur Eric Rowton Gill, 22 February 1882, Brighton, Sussex, England
    • Sculpture, typography
  2. Arthur Eric Rowton Gill, conocido como Eric Gill (Brighton, Sussex, 22 de febrero de 1882 - Uxbridge, 17 de noviembre de 1940), fue un tipógrafo y escultor inglés, conocido por su aportación en el campo de la tipografía, donde creó su famosa familia de tipos Gill Sans.

  3. Arthur Eric Rowton Gill conocido como Eric Gill (Brighton, Sussex, 22 de febrero de 1882 - Uxbridge, 17 de noviembre de 1940) fue un tipógrafo y escultor inglés, conocido por su aportación en el campo de la tipografía, donde creó su famosa familia de tipos Gill Sans.

  4. Arthur Eric Rowton Gill ARA (/ˈɡɪl/; 22 February 1882 – 17 November 1940) was an English sculptor, typeface designer, and printmaker, who was associated with the Arts and Crafts movement. He is a controversial figure, with his well-known religious views and subject matter generally viewed as being at odds with his sexual behaviour, including his erotic art and sexual abuse of his daughters.

    • February 22, 1882
    • November 17, 1940
  5. Patrick Odou. Eric Gill (1882-1940) was born in Brighton, England, to a minister of a small Protestant sect. He eventually became an artist, well known for his sculptures, engravings, sketches, writings, and type fonts. He married in 1904 and joined the Fabian Socialist Society in 1905. As is noted in Distributist Perspectives, he is one of the ...

  6. 12/03/2001 · Eric Gill fallece el 17 de noviembre de 1940 y en su lápida se describe él mismo como un escultor. En el campo de la tipografía se le recuerda por su combinación entre la disciplina del grabador y la finura de los trazos que provenía de su formación caligráfica.

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