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Ernst Lubitsch’s 1917 short film Das fidele Gefängnis (The Merry Jail) 1940 Screen Guild Theater radio program featuring Ernst Lubitsch, Jack Benny, Claudette Colbert, and Basil Rathbone; English subtitles for the deaf and hard of hearing; Tributes to Lubitsch, written by Billy Wilder, Leonard Maltin, Cameron Crowe, Roger Ebert, and others
Ángel es una película dirigida por Ernst Lubitsch con Marlene Dietrich, Melvyn Douglas, Herbert Marshall, Edward Everett Horton .... Año: 1937. Título original: Angel. Sinopsis: Maria es la esposa de Sir Frederick Barker, aristócrata británico que hace tiempo que no le presta atención. Enfadada, se va a París sin decírselo a su marido.
Ernst Lubitsch. 1,262 likes · 62 talking about this. The "Cinema of Ernst Lubitsch" Facebook page is a place for fans of the great movie director to comm
11 de feb. de 2008 · Enter Ernst Lubitsch, a German-Jewish director wooed to Hollywood in 1922 after a brilliant early career in Berlin. Lubitsch had grown into a major studio player, known for continental romantic comedies and period pieces, yet his 1929 Eternal Love had flopped, like other films that hadn’t yet made the switch to sound.
Ernst Lubitsch’s Heaven Can Wait, nominated for Academy Awards for best picture and director, is an enduring classic that showcases the filmmaker’s trademark blend of wit, urbanity, and grace. Deceased playboy Henry Van Cleve (Don Ameche) presents himself to the outer offices of Hades, where he asks a bemused Satan for permission to enter through the gates of hell.
Remordimiento es una película dirigida por Ernst Lubitsch con Lionel Barrymore, Nancy Carroll, Phillips Holmes, Emma Dunn .... Año: 1932. Título original: The Broken Lullaby. Sinopsis: Tras la Primera Guerra Mundial (1914-1918), Paul Renard, un joven francés, vive obsesionado por el recuerdo de Walter Holderlin, un soldado alemán al que mató.
13 de mar. de 2011 · -Kristin Thompson, Herr Lubitsch Goes to Hollywood. Introduction. Upon reaching the United States late in 1922, Ernst Lubitsch, “the most significant German film talent to emerge during the war,” had already been hailed as the “European Griffith… the German film wizard, master of tragedy, and the man who makes history live.”
