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  1. Ernst Lubitsch’s 1917 short film Das fidele Gefängnis (The Merry Jail) 1940 Screen Guild Theater radio program featuring Ernst Lubitsch, Jack Benny, Claudette Colbert, and Basil Rathbone; English subtitles for the deaf and hard of hearing; Tributes to Lubitsch, written by Billy Wilder, Leonard Maltin, Cameron Crowe, Roger Ebert, and others

  2. Ernst Lubitsch (January 29, 1892 – November 30, 1947) was a German film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch".

  3. According to film historian/critic Scott Marks, "The Lubitsch Touch" was a phrase concocted by studio PR men eager to turn a great director, Ernst Lubitsch, into a brand name. As Marks points out, "the label adhered, and to this day, critics still bandy it about, ever hoping to unlock the mysteries of its meaning." Here are a few of the ...

  4. 5 de jul. de 2023 · Born in 1892, Lubitsch made his way into the world of film during the silent era and continued to work until his death in 1947. Known for his wit, charm, and elegance, he became one of the most influential filmmakers of his time. His trademark style, known as the “Lubitsch Touch,” has become synonymous with sophistication and wit in cinema.

  5. 2 de dic. de 2008 · Berlin 1892 – d. Hollywood 1947) Ernst Lubitsch and crew on the set of One Hour With You. Director, actor, and producer. One of the great geniuses of comedy in the cinema, Lubitsch was the most ...

  6. Lubitsch, Ernst (1892-1947). » MCNBiografias.com. Lubitsch, Ernst (1892-1947). Director y actor de cine estadounidense de origen alemán, nacido en Berlín el 28 de enero de 1892 y fallecido en Hollywood (California. Estados Unidos) el 30 de noviembre de 1947.

  7. 13 de mar. de 2011 · -Kristin Thompson, Herr Lubitsch Goes to Hollywood. Introduction. Upon reaching the United States late in 1922, Ernst Lubitsch, “the most significant German film talent to emerge during the war,” had already been hailed as the “European Griffith… the German film wizard, master of tragedy, and the man who makes history live.”