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Ernst Lubitsch (1892 - 1947) fue un director y actor de Alemania conocido por Ser o no ser, Ninotchka, El bazar de las sorpresas, Frantz, El diablo dijo no, La octava mujer de Barba Azul, Un ladrón en la alcoba, Lo que piensan las mujeres, Una mujer para dos y Ángel
2 de dic. de 2008 · Berlin 1892 – d. Hollywood 1947) Ernst Lubitsch and crew on the set of One Hour With You. Director, actor, and producer. One of the great geniuses of comedy in the cinema, Lubitsch was the most ...
Ernst Lubitsch (January 29, 1892 – November 30, 1947) was a German film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch".
Ernst Lubitsch. Ernst Lubitsch, nado en Berlín o 28 de xaneiro de 1892 e finado no barrio de Hollywood ( Os Ánxeles) o 30 de novembro de 1947, foi un director de cinema xudeu nado en Alemaña, de nacionalidade rusa, aínda que naturalizado alemán e, máis tarde, estadounidense. As súas comedias urbanas déronlle a reputación de ser o ...
According to film historian/critic Scott Marks, "The Lubitsch Touch" was a phrase concocted by studio PR men eager to turn a great director, Ernst Lubitsch, into a brand name. As Marks points out, "the label adhered, and to this day, critics still bandy it about, ever hoping to unlock the mysteries of its meaning." Here are a few of the ...
Ernst Lubitsch’s 1917 short film Das fidele Gefängnis (The Merry Jail) 1940 Screen Guild Theater radio program featuring Ernst Lubitsch, Jack Benny, Claudette Colbert, and Basil Rathbone; English subtitles for the deaf and hard of hearing; Tributes to Lubitsch, written by Billy Wilder, Leonard Maltin, Cameron Crowe, Roger Ebert, and others
13 de mar. de 2011 · -Kristin Thompson, Herr Lubitsch Goes to Hollywood. Introduction. Upon reaching the United States late in 1922, Ernst Lubitsch, “the most significant German film talent to emerge during the war,” had already been hailed as the “European Griffith… the German film wizard, master of tragedy, and the man who makes history live.”
