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Esther Kenworthy Waterhouse, nacida como Esther Maria Kenworthy, (Ealing, 5 de octubre de 1857 – Faversham,15 de diciembre de 1944) fue una artista británica que expuso sus pinturas de flores en la Real Academia de Arte de Londres y en otros lugares.
- 1944
- Británica
- 1857
- Cementerio de Kensal Green
Esther Kenworthy Waterhouse (1857–1944), born Esther Maria Kenworthy, was a British artist who exhibited her flower-paintings at the Royal Academy in London and elsewhere. Waterhouse was the daughter of James Lees Kenworthy, an artist and schoolmaster from Ealing , in West London; and Elizabeth, a school-mistress. [1]
- Esther Maria Kenworthy, 1857
- Painting
- 1944 (aged 86–87)
- British
‘Esther Kenworthy’ was created in c.1885 by John William Waterhouse in Romanticism style. Find more prominent pieces of portrait at Wikiart.org – best visual art database.
John William Waterhouse created Esther Kenworthy Waterhouse in 1885 in the Romanticism style. The 1885 painting is made on a 56.1 by 39 cm board with oil. It is one of the most famous paintings by John William Waterhouse because it is the only painting he ever made depicting someone with whom he had a close relationship.
In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and elsewhere. In 1895 Waterhouse was elected to the status of full Academician. He taught at the St. John's Wood Art School, joined the St John's Wood Arts Club, and served on the Royal Academy ...
- British
- April 6, 1849
- Rome, Italy
- February 10, 1917
Esther Kenworthy: Educación; Educado en: Real Academia de Arte: Información profesional; Ocupación: Pintor: Movimientos: Hermandad Prerrafaelita, neo-Pompeian, impresionismo y simbolismo: Género: Retrato: Obras notables: La señora de Shalott; Circe ofreciendo la copa a Odiseo; Sueño y su hermanastro Muerte; hilas y las ninfas; Rama ...
Esther Kenworthy Waterhouse. John William Waterhouse RA (6 April 1849 – 10 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood 's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and ...
