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  1. 13 de mar. de 2014 · The Pre-Raphaelite Society recently enjoyed an entertaining lecture by Kirsty Stonell Walker on her research on Fanny Cornforth. Kirsty's book Stunner: The Fall and Rise of Fanny Cornforth is currently the only biography of Fanny, muse and mistress of Dante Gabriel Rossetti, and in it Kirsty rescues Fanny from her undeservedly bad reputation.

  2. Cornforth, Fanny (4) portraits (4,491) individuals: female (1,698) You might like. Left Right. Miss Robertson (Mrs Fernandez) Dante Gabriel Rossetti. c.1866. View by ...

  3. Fanny Cornforth (nata Sarah Cox; Steyning, 1835 – Londra, 1906) è stata domestica, amante, musa e modella del pittore preraffaellita Dante Gabriel Rossetti. Nei dipinti di Rossetti, Fanny Cornforth, appare come una rossa formosa, in contrasto con le figure eteree delle altre sue modelle Jane Morris , Alexa Wilding e Elizabeth Siddal .

  4. 20 de mar. de 2015 · Fanny Cornforth was a frequent model for for Dante Gabriel Rossetti. Historically, biographers have written more about his models Elizabeth Siddal and Jane Morris, leaving Fanny to the sidelines. Her past as a prostitute and her years spent as Rossetti’s housekeeper makes her place in his life difficult to write about in any other way than ...

  5. 2 de dic. de 2019 · Fanny Cornforth was a working class, country girl, who never managed to shake off that label. Rossetti valued her for her looks and her body, her comfort and devotion, but not her intellect.

  6. Sarah Cox, a blacksmith's daughter from Steyning better known as Fanny Cornforth, saw Rossetti tortured by his love for other women, though he came to depend on her as the years went by. When Dante Gabriel Rossetti married Elizabeth Siddal in 1860, after a strange and often neglectful ten year relationship, Fanny Cornforth was devastated.

  7. Holman Hunt was doing studies as early as 1850 for his late oil The Lady of Shalott . DGR's collaborative photographs—see his extraordinary series of photographs of Jane Morris —demonstrate his active pursuit of this medium as a form of artistic expression. Nearly all of the period's innovative photographers either knew and worked with DGR ...

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